| 16 Waltzes, op. 39: No. 1 in B major | | | | | | | | |
| 16 Waltzes, op. 39: No. 2 in E major | | | | | | | | |
| 16 Waltzes, op. 39: No. 11 in B minor | | | | | | | | |
| 16 Waltzes, op. 39: No. 14 in G-sharp minor | | | | | | | - sol diesis minore (Tonalità)
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| 16 Waltzes, op. 39: No. 15 in A-flat major | | | | | | | - la bemolle maggiore (Tonalità)
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| Adagio and Fugue in C minor, K. 546: I. Adagio | | | | | | | | |
| Allegro in G for Piano Four-Hands | | | | | | | | |
| Andante and Variations for Piano with 4 Hands in G major, K. 501 | | | | | | | | |
| Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365 | | | | | Concerto | | - mi bemolle maggiore (Tonalità)
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| Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: I. Allegro | | - Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm
- Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Radu Lupu, Murray Perahia, English Chamber Orchestra
- Zoltán Kocsis, Ránki Dezső, Nemzeti Filharmonikus zenekar, János Ferencsik
- (mostra altri 57)
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| Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: II. Andante | | - Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm
- Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- Radu Lupu, Murray Perahia, English Chamber Orchestra
- Zoltán Kocsis, Ránki Dezső, Nemzeti Filharmonikus zenekar, János Ferencsik
- (mostra altri 56)
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| Concerto for 2 Pianos & Orchestra no. 10 in E-flat major, K. 316a/365: III. Rondo. Allegro | | - Zoltán Kocsis, Ránki Dezső, Nemzeti Filharmonikus zenekar, János Ferencsik
- Elena Gilels, Emil Gilels, Wiener Philharmoniker, Karl Böhm
- Alfred Brendel, Imogen Cooper, Academy of St Martin in the Fields, Sir Neville Marriner
- André Previn, Radu Lupu, London Symphony Orchestra
- (mostra altri 62)
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| Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063: I. [no tempo indication] | | | | | | | | |
| Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063: II. Alla Siciliana | | - Karl Richter, Hedwig Bilgram, Iwona Fütterer, Ulrike Schott, Münchener Bach‐Orchester
- William Bennett, Neil Black, Carmel Kaine, Academy of St Martin-in-the-Fields, Neville Marriner
- Musica Alta Ripa
- Mieczysław Horszowski, Ruth Laredo, Rudolf Serkin, Marlboro Festival Orchestra, Alexander Schneider
- (mostra altri 7)
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| Concerto for 3 harpsichords, strings & continuo in D minor, BWV 1063: III. Allegro | | - William Bennett, Neil Black, Carmel Kaine, Academy of St Martin-in-the-Fields, Neville Marriner
- Anne Queffélec, Michel Dalberto, Pascal Devoyon
- Güher & Süher Pekinel, Bob James
- Jolianne Einem, Monica Huggett, Carla Moore, Portland Baroque Orchestra
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| Concerto for Two Pianos and Orchestra in E major: I. Allegro vivace | | - Love Derwinger, Roland Pöntinen, Amsterdam Sinfonietta, Lev Markiz
- Benjamin Frith, Hugh Tinney, RTÉ Sinfonietta, Proinnsías Ó Duinn
- Robert Fizdale, Arthur Gold, The Philadelphia Orchestra, Eugene Ormandy
- Brenda Lucas, John Ogdon, Academy of St Martin in the Fields, Sir Neville Marriner
- (mostra altri 9)
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| Concerto for Two Pianos and Orchestra in E major: II. Adagio non troppo | | - Love Derwinger, Roland Pöntinen, Amsterdam Sinfonietta, Lev Markiz
- Benjamin Frith, Hugh Tinney, RTÉ Sinfonietta, Proinnsías Ó Duinn
- Robert Fizdale, Arthur Gold, The Philadelphia Orchestra, Eugene Ormandy
- Brenda Lucas, John Ogdon, Academy of St Martin in the Fields, Sir Neville Marriner
- (mostra altri 9)
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| Concerto for Two Pianos and Orchestra in E major: III. Allegro | | - Love Derwinger, Roland Pöntinen, Amsterdam Sinfonietta, Lev Markiz
- Benjamin Frith, Hugh Tinney, RTÉ Sinfonietta, Proinnsías Ó Duinn
- Robert Fizdale, Arthur Gold, The Philadelphia Orchestra, Eugene Ormandy
- Brenda Lucas, John Ogdon, Academy of St Martin in the Fields, Sir Neville Marriner
- (mostra altri 10)
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| Concerto for Two Pianos and Orchestra, op. 88a: I. Andante sostenuto | | - Martin Berkofsky, Nathan Twining, London Symphony Orchestra, Antal Doráti
- Martin Berkofsky, David Hagan, Konzerthausorchester Berlin, Lutz Herbig
- Katia Labèque, Marielle Labèque, Philharmonia Orchestra, Semyon Bychkov
- Philharmonia Orchestra, Sir Neville Marriner, Güher & Süher Pekinel
- Piano Duo Genova & Dimitrov, Bulgarian Naational Radio Symphony Orchestra, Yordan Kamdzhalov
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| Concerto for Two Pianos and Orchestra, op. 88a: II. Andante con moto; Allegro molto vivace | | - Martin Berkofsky, Nathan Twining, London Symphony Orchestra, Antal Doráti
- Martin Berkofsky, David Hagan, Konzerthausorchester Berlin, Lutz Herbig
- Katia Labèque, Marielle Labèque, Philharmonia Orchestra, Semyon Bychkov
- Philharmonia Orchestra, Sir Neville Marriner, Güher & Süher Pekinel
- Piano Duo Genova & Dimitrov, Bulgarian Naational Radio Symphony Orchestra, Yordan Kamdzhalov
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| Concerto for Two Pianos and Orchestra, op. 88a: III. Adagio ma non troppo | | - Martin Berkofsky, Nathan Twining, London Symphony Orchestra, Antal Doráti
- Martin Berkofsky, David Hagan, Konzerthausorchester Berlin, Lutz Herbig
- Katia Labèque, Marielle Labèque, Philharmonia Orchestra, Semyon Bychkov
- Philharmonia Orchestra, Sir Neville Marriner, Güher & Süher Pekinel
- Piano Duo Genova & Dimitrov, Bulgarian Naational Radio Symphony Orchestra, Yordan Kamdzhalov
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| Concerto for Two Pianos and Orchestra, op. 88a: IV. Andante; Allegro | | - Katia Labèque, Marielle Labèque, Philharmonia Orchestra, Semyon Bychkov
- Martin Berkofsky, Nathan Twining, London Symphony Orchestra, Antal Doráti
- Martin Berkofsky, David Hagan, Konzerthausorchester Berlin, Lutz Herbig
- Philharmonia Orchestra, Sir Neville Marriner, Güher & Süher Pekinel
- Piano Duo Genova & Dimitrov, Bulgarian Naational Radio Symphony Orchestra, Yordan Kamdzhalov
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| Concerto in C major for Two Harpsichords, BWV 1061: I. Allegro | | | | | | | | |
| Concerto in C major for Two Harpsichords, BWV 1061: II. Adagio | | | | | | | | |
| Concerto in C major for Two Harpsichords, BWV 1061: III. Vivace | | | | | | | | |
| Concerto in C minor for Two Harpsichords, BWV 1060: I. Allegro | | | | | | | | |
| Concerto in C minor for Two Harpsichords, BWV 1060: II. Largo ovvero Adagio | | | | | | | | |
| Concerto in C minor for Two Harpsichords, BWV 1060: III. Allegro | | | | | | | | |
| Danses andalouses: I. Ritmo | | | | | | | | |
| Danses andalouses: II. Sentimiento | | | | | | | | |
| Danses andalouses: III. Gracia (El vito) | | | | | | | | |
| Fantasia for Mechanical Organ in F minor, K. 594 | | | | | | | | |
| Fantasia for Mechanical Organ in F minor, K. 608 | | | | | | | | |
| Fugue for 2 Pianos in C minor, K. 426: Allegro moderato | | | | | | | | |
| Fugue in G minor, K. 375e/401 | | | | | | | | |
| Hungarian Dances for piano, 4 hands, WoO 1, Book 1, No. 5 in F-sharp minor: Allegro – Vivace | | | | | | | - fa diesis minore (Tonalità)
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| Hungarian Dances for piano, 4 hands, WoO 1, Book 4, No. 17 in F-sharp minor: Andantino – Vivace | | | | | | | - fa diesis minore (Tonalità)
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| Keyboard Duet in G major, W. A21, op. 15 no. 5 | | | | | | | | |
| Le Carnaval des animaux : IV. Tortues | | - Cristina Ortiz, Pascal Rogé, London Sinfonietta, Charles Dutoit
- Martha Argerich, Eduard Brunner, Nelson Freire, Irena Grafenauer, Georg Hörtnagel, Isabelle van Keulen, Gidon Kremer, Mischa Maisky, Edith Salmen-Weber, Markus Steckeler, Tabea Zimmermann
- Orchestre national de la Radiodiffusion française, Süddeutsche Philharmonie, Pierre Carbidier, Hanspeter Gmür
- Camille Saint‐Saëns
- (mostra altri 83)
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| Le Carnaval des animaux : V. L’Éléphant | | - Robin McGee, Cristina Ortiz, Pascal Rogé, London Sinfonietta, Charles Dutoit
- Martha Argerich, Eduard Brunner, Nelson Freire, Irena Grafenauer, Georg Hörtnagel, Isabelle van Keulen, Gidon Kremer, Mischa Maisky, Edith Salmen-Weber, Markus Steckeler, Tabea Zimmermann
- Orchestre national de la Radiodiffusion française, Süddeutsche Philharmonie, Pierre Carbidier, Hanspeter Gmür
- [unknown]
- (mostra altri 91)
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| Le Carnaval des animaux : VI. Kangourous | | - Cristina Ortiz, Pascal Rogé, London Sinfonietta, Charles Dutoit
- Martha Argerich, Eduard Brunner, Nelson Freire, Irena Grafenauer, Georg Hörtnagel, Isabelle van Keulen, Gidon Kremer, Mischa Maisky, Edith Salmen-Weber, Markus Steckeler, Tabea Zimmermann
- Orchestre national de la Radiodiffusion française, Süddeutsche Philharmonie, Pierre Carbidier, Hanspeter Gmür
- Camille Saint‐Saëns
- (mostra altri 87)
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| Le Carnaval des animaux : XIII. Le Cygne | | | | | | | | |
| Le Carnaval des animaux: XIII. Le Cygne | | | | | | | | |
| Le Sacre du printemps: I. L'Adoration de la terre: I. Introduction | | | | | | | | |
| Le Sacre du printemps: I. L'Adoration de la terre: II. Les Augures Printaniers (Danses des adolescentes) | | | | | | | | |
| Le Sacre du printemps: I. L'Adoration de la terre: III. Jeu du rapt | | | | | | | | |
| Le Sacre du printemps: I. L'Adoration de la terre: IV. Rondes printanières | | | | | | | | |
| Le Sacre du printemps: I. L'Adoration de la terre: V. Jeux des cités rivales | | | | | | | | |
| Le Sacre du printemps: I. L'Adoration de la terre: VI. Cortège du Sage | | | | | | | | |
| Le Sacre du printemps: I. L'Adoration de la terre: VIII. Danse de la terre | | | | | | | | |
| Le Sacre du printemps: I. L’Adoration de la terre: VII. Adoration de la Terre | | | | | | | | |
| Le Sacre du printemps: II. Le Sacrifice: I. Introduction | | | | | | | | |
| Le Sacre du printemps: II. Le Sacrifice: I. Introduction | | | | | | | | |
| Le Sacre du printemps: II. Le Sacrifice: II. Cercles mystérieux des adolescentes | | | | | | | | |
| Le Sacre du printemps: II. Le Sacrifice: II. Cercles mystérieux des adolescentes | | | | | | | | |
| Le Sacre du printemps: II. Le Sacrifice: III. Glorification de l'Elue | | | | | | | | |
| Le Sacre du printemps: II. Le Sacrifice: III. Glorification de l’élue | | | | | | | | |
| Le Sacre du printemps: II. Le Sacrifice: IV. Evocation des ancêtres | | | | | | | | |
| Le Sacre du printemps: II. Le Sacrifice: IV. Evocation des ancêtres | | | | | | | | |
| Le Sacre du printemps: II. Le Sacrifice: V. Action rituelle des ancêtres | | | | | | | | |
| Le Sacre du printemps: II. Le Sacrifice: V. Action rituelle des ancêtres | | | | | | | | |
| Le Sacre du printemps: II. Le Sacrifice: VI. Danse sacrale (L'Elue) | | | | | | | | |
| Le Sacre du printemps: II. Le Sacrifice: VI. Danse sacrale (L’Élue) | | | | | | | | |
| Scaramouche, op. 165b: III. Brazileira (Mouvement de samba) | | | | | | | | |
| Sonata for 2 Pianos in D major, K. 375a/448: I. Allegro con spirito | | | | | | | | |
| Sonata for 2 Pianos in D major, K. 375a/448: II. Andante | | | | | | | | |
| Sonata for 2 Pianos in D major, K. 375a/448: III. Allegro molto & Coda | | | | | | | | |
| Sonata for 2 Pianos in F minor, op. 34b: I. Allegro non troppo | | | | | | | | |
| Sonata for 2 Pianos in F minor, op. 34b: II. Andante, un poco adagio | | | | | | | | |
| Sonata for 2 Pianos in F minor, op. 34b: III. Scherzo. Allegro | | | | | | | | |
| Sonata for 2 Pianos in F minor, op. 34b: IV. Finale. Poco sostenuto - Allegro non troppo - Presto, non troppo | | | | | | | | |
| Sonata for Piano with 4 Hands in B-flat major, K. 186c/358: I. Allegro | | | | | | | | |
| Sonata for Piano with 4 Hands in B-flat major, K. 186c/358: II. Adagio | | | | | | | | |
| Sonata for Piano with 4 Hands in B-flat major, K. 186c/358: III. Molto presto | | | | | | | | |
| Sonata for Piano with 4 Hands in C major, K. 19d/deest: I. Allegro | | | | | | | | |
| Sonata for Piano with 4 Hands in C major, K. 19d/deest: II. Minuetto | | | | | | | | |
| Sonata for Piano with 4 Hands in C major, K. 19d/deest: III. Rondeau. Allegretto | | | | | | | | |
| Sonata for Piano with 4 Hands in C major, K. 521: I. Allegro | | | | | | | | |
| Sonata for Piano with 4 Hands in C major, K. 521: II. Andante | | | | | | | | |
| Sonata for Piano with 4 Hands in C major, K. 521: III. Allegretto | | | | | | | | |
| Sonata for Piano with 4 Hands in D major, K. 123a/381: I. Allegro | | | | | | | | |
| Sonata for Piano with 4 Hands in D major, K. 123a/381: II. Andante | | | | | | | | |
| Sonata for Piano with 4 Hands in D major, K. 123a/381: III. Allegro molto | | | | | | | | |
| Sonata for Piano with 4 Hands in F major, K. 497: I. Adagio. Allegro di molto | | | | | | | | |
| Sonata for Piano with 4 Hands in F major, K. 497: II. Andante | | | | | | | | |
| Sonata for Piano with 4 Hands in F major, K. 497: III. Allegro | | | | | | | | |
| Suite no. 1, op. 5: I. Barcarolle: Allegretto | | | | | | | | |
| Suite no. 1, op. 5: II. La nuit... L'amour...: Adagio sostenuto | | | | | | | | |
| Suite no. 1, op. 5: III. Les Larmes: Largo di molto | | | | | | | | |
| Suite no. 1, op. 5: IV. Pâques: Allegro maestoso | | | | | | | | |
| Suite no. 2, op. 17: I. Introduction: Alla marcia | | | | | | | | |
| Suite no. 2, op. 17: II. Valse: Presto | | | | | | | | |
| Suite no. 2, op. 17: III. Romance: Andantino | | | | | | | | |
| Suite no. 2, op. 17: IV. Tarantelle: Presto | | | | | | | | |
| Variations on a Theme of Beethoven, op. 35 | | | | | | | | |
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