| strumenti |
|---|
| 1947 | A Midnight Farewell | viola [adapted viola] | William Wendlandt, Harry Partch | 1:15 |
| 1947 | Before the Cask of Wine | viola [adapted viola] | William Wendlandt, Harry Partch | 2:10 |
| 1947 | I Am a Peach Tree | viola [adapted viola] | William Wendlandt, Harry Partch | 1:23 |
| 1947 | The Intruder | viola [adapted viola] | William Wendlandt, Harry Partch | 1:09 |
| 1950 | Letter | | Harry Partch, Donald Pippin, Ben Johnston, Betty Johnston | 2:53 |
| 1950 | The Rose | chitarra [adapted guitar II] | Ben Johnston, Harry Partch | 1:38 |
| 1950 | The Street | strumenti a corda pizzicata [harmonic canon II] | Ben Johnston, Harry Partch | 2:39 |
| 1950 | The Waterfall | chitarra [adapted guitar II] | Ben Johnston, Harry Partch | 1:03 |
| 1950 | The Wind | strumenti a corda pizzicata [harmonic canon I] | Ben Johnston, Harry Partch | 1:38 |
| Ulysses at the Edge of the World | marimba | David Reid, Dick Schleppe, Harry Partch, Danlee Mitchell | 6:43 |
| Ulysses at the Edge of the World | percussione | David Reid, Dick Schleppe, Harry Partch, Danlee Mitchell | 6:43 |
| voce |
|---|
| 1947 | A Midnight Farewell | | William Wendlandt, Harry Partch | 1:15 |
| 1947 | Before the Cask of Wine | | William Wendlandt, Harry Partch | 2:10 |
| 1947 | I Am a Peach Tree | | William Wendlandt, Harry Partch | 1:23 |
| 1947 | The Intruder | | William Wendlandt, Harry Partch | 1:09 |
| 1950 | Letter | | Harry Partch, Donald Pippin, Ben Johnston, Betty Johnston | 2:53 |
| 1950 | The Rose | | Ben Johnston, Harry Partch | 1:38 |
| 1950 | The Street | | Ben Johnston, Harry Partch | 2:39 |
| 1950 | The Waterfall | | Ben Johnston, Harry Partch | 1:03 |
| 1950 | The Wind | | Ben Johnston, Harry Partch | 1:38 |
| 1973 | The Dreamer That Remains | | Katherine Bjornson, Michael Crosier, Alexis Glatly, Mark Hoffman, Harry Partch, Emil Richards, Duane Lakin-Thomas, Danlee Mitchell, David Dunn, Jon Szanto, Francis Thumm, Ron Caruso, Dennis Dunn, Jean-Charles François, Jonathan Glasier, Randy Hoffman, Jack Logan | 10:29 |
| ha composto |
|---|
| 1930 – 1933 | Seventeen Lyrics by Li Po | | | |
| 1930 – 1933 | Seventeen Lyrics by Li Po: A Midnight Farewell | | | |
| 1930 – 1933 | Seventeen Lyrics by Li Po: Before the Cask of Wine | | | |
| 1930 – 1933 | Seventeen Lyrics by Li Po: I Am a Peach Tree | | | |
| 1930 – 1933 | Seventeen Lyrics by Li Po: The Intruder | | | |
| 1943 | The Letter | | | |
| 1944 | Two Settings From Joyce’s “Finnegan's Wake” | | | |
| 1944 | Two Settings From Joyce’s “Finnegan’s Wake”: No. 1. Isobel | | | |
| 1944 | Two Settings From Joyce’s “Finnegan’s Wake”: No. 2. Annah the Allmaziful | | | |
| 1946 | Two Studies on Ancient Greek Scales | | | |
| 1949 – 1950 | Eleven Intrusions | | | |
| 1949 – 1950 | Eleven Intrusions: The Rose | | | |
| 1949 – 1950 | Eleven Intrusions: The Street | | | |
| 1949 – 1950 | Eleven Intrusions: The Waterfall | | | |
| 1949 – 1950 | Eleven Intrusions: The Wind | | | |
| 1955 | Ulysses at the Edge of the World | | | |
| 1958 | Daphne of the Dunes | | | |
| 1965 – 1966 | Delusion of the Fury | | | |
| 1965 – 1966 | Delusion of the Fury: Act I: Treats With Death and With Life Despite Death, on a Japanese Theme | | | |
| 1965 – 1966 | Delusion of the Fury: Act I: Treats With Death and With Life Despite Death, on a Japanese Theme: A Son in Search of His Father’s Face | | | |
| 1965 – 1966 | Delusion of the Fury: Act I: Treats With Death and With Life Despite Death, on a Japanese Theme: Chorus of Shadows | | | |
| 1965 – 1966 | Delusion of the Fury: Act I: Treats With Death and With Life Despite Death, on a Japanese Theme: Cry From Another Darkness | | | |
| 1965 – 1966 | Delusion of the Fury: Act I: Treats With Death and With Life Despite Death, on a Japanese Theme: Emergence of the Spirit | | | |
| 1965 – 1966 | Delusion of the Fury: Act I: Treats With Death and With Life Despite Death, on a Japanese Theme: Pray for Me | | | |
| 1965 – 1966 | Delusion of the Fury: Act I: Treats With Death and With Life Despite Death, on a Japanese Theme: The Pilgrimage | | | |
| 1965 – 1966 | Delusion of the Fury: Act II: Treats With Life and With Life Despite Life, Based on an African Folk Tale | | | |
| 1965 – 1966 | Delusion of the Fury: Act II: Treats With Life and With Life Despite Life, Based on an African Folk Tale: Arrest, Trial and Judgement (Joy in the Marketplace!) | | | |
| 1965 – 1966 | Delusion of the Fury: Act II: Treats With Life and With Life Despite Life, Based on an African Folk Tale: Pray for Me Again — A STRANGE FEAR! | | | |
| 1965 – 1966 | Delusion of the Fury: Act II: Treats With Life and With Life Despite Life, Based on an African Folk Tale: The Lost Kid | | | |
| 1965 – 1966 | Delusion of the Fury: Act II: Treats With Life and With Life Despite Life, Based on an African Folk Tale: The Misunderstanding | | | |
| 1965 – 1966 | Delusion of the Fury: Act II: Treats With Life and With Life Despite Life, Based on an African Folk Tale: The Quiet Hobo Meal | | | |
| 1965 – 1966 | Delusion of the Fury: Act II: Treats With Life and With Life Despite Life, Based on an African Folk Tale: Time of Fun Together | | | |
| 1965 – 1966 | Delusion of the Fury: Exordium — The Beginning of a Web | | | |
| 1965 – 1966 | Delusion of the Fury: Sanctus: An Entr’acte | | | |
| 1972 | The Dreamer That Remains | | | |
| – 1950 | Sonata Dementia | | | |
| – 1955 | Barstow: Eight Hitchhikers’ Inscription From a Highway Railing at Barstow, California | | | |
| – 1958 | Windsong | | | |
| And on the Seventh Day Petals Fell in Petaluma | | | |
| Barstow: Eight Hitchhikers’ Inscription From a Highway Railing at Barstow, California | | | |
| Canción de los Muchachos | | | |
| Cloud Chamber Music | | | |
| Lover | | | |
| Partch: Barstow | | | |
| Partch: San Francisco | | | |
| Partch: The Letter | | | |
| Partch: U.S. Highball | | | |
| Partch: Ulysses at the Edge | | | |
| Partch: Ulysses at the Edge (Improv version) (Bonus Track version) | | | |
| San Francisco | | | |
| Soldiers - War - Another War | | | |
| Sonata Dementia: I. Abstraction & Delusion | | | |
| Sonata Dementia: II. Scherzo Schizophrenia | | | |
| Sonata Dementia: III. Allegro Paranoia | | | |
| Study on Archytas' Enharmonic | | | |
| Study on Olympus' Pentatonic | | | |
| The Crane | | | |
| The Wayward, Pt. 1 "8 Inscriptions from a Highway Railing at Barstow, California": Introduction | | | |
| The Wayward, Pt. 1 "8 Inscriptions from a Highway Railing at Barstow, California": No. 1, Barstow | | | |
| U.S. Highball (A Musical Account of Slim’s Transcontinental Hobo Trip) | | | |
| Vanity | | | |
| Windsong: I. Narration | | | |
| Windsong: II. Windsong | | | |
| ha ispirato il nome dell'opera |
|---|
| Harry's Dream | | | |
| ha rivisto |
|---|
| 1950 | Two Studies on Ancient Greek Scales | | | |
| 1967 | Daphne of the Dunes | | | |
| opere dedicate |
|---|
| Composition No. 277 | | | |
| testi |
|---|
| The Dreamer That Remains | | | |
| U.S. Highball (A Musical Account of Slim’s Transcontinental Hobo Trip) | | | |
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