| Instrumente |
|---|
| 1987-02 | A Virgin Most Pure | Geige / Violine | Maddy Prior with The Carnival Band | 5:17 |
| 1987-02 | God Rest You Merry Gentlemen | Geige / Violine | Maddy Prior with The Carnival Band | 4:34 |
| 1987-02 | In dulci jubilo | recorder | Maddy Prior with The Carnival Band | 3:00 |
| 1987-02 | It Came Upon the Midnight Clear | Geige / Violine | Maddy Prior with The Carnival Band | 3:42 |
| 1987-02 | Joseph Dearest | recorder | Maddy Prior with The Carnival Band | 3:53 |
| 1987-02 | On Christmas Night (Sussex Carol) | Geige / Violine | Maddy Prior with The Carnival Band | 2:31 |
| 1987-02 | Rejoice and Be Merry | Geige / Violine | Maddy Prior with The Carnival Band | 2:05 |
| 1987-02 | The Holly and the Ivy | recorder | Maddy Prior with The Carnival Band | 3:16 |
| 1987-02 | The Sans Day Carol | Geige / Violine | Maddy Prior with The Carnival Band | 3:37 |
| 1990-01 – 1990-09 | Gaudete | Geige / Violine | The Sixteen | 1:26 |
| 1990-01 – 1990-09 | Gaudete | Rebec | The Sixteen | 1:26 |
| 1990-01 – 1990-09 | Hail Mary full of grace | Geige / Violine | The Sixteen | 5:24 |
| 1990-01 – 1990-09 | Hail Mary full of grace | Rebec | The Sixteen | 5:24 |
| 1990-01 – 1990-09 | Nowell Sing We, Both All and Some | Geige / Violine | The Sixteen | 2:34 |
| 1990-01 – 1990-09 | Nowell Sing We, Both All and Some | Rebec | The Sixteen | 2:34 |
| 1990-01 – 1990-09 | Salutation Carol | Rebec | The Sixteen | 2:13 |
| 1990-01 – 1990-09 | Salutation Carol | Geige / Violine | The Sixteen | 2:13 |
| 1990-01 – 1990-09 | Verbum caro (chant) | Geige / Violine | The Sixteen | 4:00 |
| 1990-01 – 1990-09 | Verbum caro (chant) | Rebec | The Sixteen | 4:00 |
| 1993-11-22 – 1993-11-24 | Danse | shawm | The Dufay Collective | 2:31 |
| 1993-11-22 – 1993-11-24 | Istanpitta 'Belicha' | Fidel | The Dufay Collective | 10:18 |
| 1993-11-22 – 1993-11-24 | Istanpitta 'Ghaetta' | Rebec | The Dufay Collective | 6:48 |
| 1993-11-22 – 1993-11-24 | Istanpitta 'Isabella' | Fidel | The Dufay Collective | 7:31 |
| 1993-11-22 – 1993-11-24 | La quinte estampie real | three-hole pipe | The Dufay Collective | 2:14 |
| 1993-11-22 – 1993-11-24 | La quinte estampie real | tabor | The Dufay Collective | 2:14 |
| 1993-11-22 – 1993-11-24 | La tierche estampie roial | Fidel | The Dufay Collective | 2:27 |
| 1993-11-22 – 1993-11-24 | La uitime estampie real | gittern | The Dufay Collective | 5:07 |
| 1993-11-22 – 1993-11-24 | Salterello | shawm | The Dufay Collective | 4:42 |
| 1993-11-22 – 1993-11-24 | Trotto - Salterello | Fidel | The Dufay Collective | 7:45 |
| 1995-02-16 – 1995-02-18 | 'Ductia' (2) | Fidel | The Dufay Collective | 1:39 |
| 1995-02-16 – 1995-02-18 | 'Ductia' (3) | Rebec | The Dufay Collective | 2:24 |
| 1995-02-16 – 1995-02-18 | Dance | Fidel | The Dufay Collective | 4:14 |
| 1995-02-16 – 1995-02-18 | Dance: Onmis caro | Dudelsack | The Dufay Collective | 3:40 |
| 1995-02-16 – 1995-02-18 | Edi beo thu hevene-queene | Fidel | The Dufay Collective | 4:24 |
| 1995-02-16 – 1995-02-18 | Omnis caro peccaverat | Fidel | The Dufay Collective | 9:04 |
| 1995-02-16 – 1995-02-18 | Sumer is icumen in | Fidel | The Dufay Collective | 4:38 |
| 1995-09-07 – 1995-09-09 | A Morisco | Geige / Violine | The Dufay Collective | 1:46 |
| 1995-09-07 – 1995-09-09 | A Wooing Song of a Yeoman of Kent's Sonne | Geige / Violine | The Dufay Collective | 2:48 |
| 1995-09-07 – 1995-09-09 | Bonny Sweet Robin | tenor viol | The Dufay Collective | 3:37 |
| 1995-09-07 – 1995-09-09 | Daphne | Geige / Violine | The Dufay Collective | 4:18 |
| 1995-09-07 – 1995-09-09 | Goddesses / Jamaica | Geige / Violine | The Dufay Collective | 2:26 |
| 1995-09-07 – 1995-09-09 | Ham House / Half Hannikin | Dudelsack | The Dufay Collective | 2:06 |
| 1995-09-07 – 1995-09-09 | Indian Queen / Of Noble Race was Shinkin | Geige / Violine | The Dufay Collective | 3:20 |
| 1995-09-07 – 1995-09-09 | On the cold Ground, Glory of the Sun, Kettledrum, Paul's Wharf, Saturday Night and Sunday Morn, Johnny, Cock thy Beaver | Geige / Violine | The Dufay Collective | 10:00 |
| 1995-09-07 – 1995-09-09 | The Waits | shawm [alto shawm] | The Dufay Collective | 1:10 |
| 1996-02-27 – 1996-02-29 | Eno pouco e no muito, CSM 354 | Rebab | The Dufay Collective | 7:30 |
| 1996-02-27 – 1996-02-29 | Estampie on CSM 42 | Fidel | The Dufay Collective | 4:49 |
| 1996-02-27 – 1996-02-29 | Instrumental CSM 57 | shawm | The Dufay Collective | 3:37 |
| 1996-02-27 – 1996-02-29 | Instrumental CSM 249 | shawm | The Dufay Collective | 1:50 |
| 1996-02-27 – 1996-02-29 | Instrumental, CSM 37 | Rebab | The Dufay Collective | 4:42 |
| 1996-02-27 – 1996-02-29 | Instrumental, CSM 221 | Trillerpfeife | The Dufay Collective | 2:00 |
| 1996-02-27 – 1996-02-29 | O Nome da Virgen Santa, CSM 254 | Fidel | The Dufay Collective | 7:18 |
| 1996-02-27 – 1996-02-29 | Procession, CSM 207 | shawm | The Dufay Collective | 2:34 |
| 1996-02-27 – 1996-02-29 | Quen quer que na Virgen fia, CSM 167 | Rebab | The Dufay Collective | 7:31 |
| Amor potest | recorder | The Dufay Collective | 1:26 |
| Amors m'art | Fiddle [medieval & modern fiddle] | Alva | 4:01 |
| C'est en mai | Fiddle [medieval & modern fiddle] | Alva | 5:00 |
| C'est en mai (fiddle version) | Fiddle [medieval & modern fiddle] | Alva | 3:07 |
| Cantiga de Santa María 15: "Todo-los Santos que son no Ceo de servir muito an gran sabor" | Oud | The Dufay Collective | 3:06 |
| Cantiga de Santa María 36: "Muit’ amar devemos en nossas voontades" | Oud | The Dufay Collective | 4:31 |
| Cantiga de Santa María 103: "Quen a Virgen ben servirá" | bağlama (saz) family | The Dufay Collective | 3:01 |
| Cantiga de Santa María 116: "Bailemos nós ja todas tres" (adaptation CSM 116) | Fidel | The Dufay Collective | 2:57 |
| Cantiga de Santa María 159: "Non sofre Santa María de seeren perdidosos" | Rebab | The Dufay Collective | 5:56 |
| Cantiga de Santa María 166: "Martin jograr" (adaptation CSM 166) | Oud | The Dufay Collective | 2:56 |
| Cantiga de Santa María 315: "Tant’ aos peccadores a Virgen val de grado" | Oud | The Dufay Collective | 1:32 |
| Cantiga de Santa María 323: "Ontre toda-las vertudes que aa Virgen son dadas" | Oud | The Dufay Collective | 3:01 |
| Cantiga de Santa María 393: "Macar é door a rravia maravillosa e forte …" | Oud | The Dufay Collective | 5:00 |
| Cantigas de amigo, song cycle for voice and accompaniment: II. Mandad’ ei comigo | Oud | The Dufay Collective | 5:52 |
| Cantigas de amigo, song cycle for voice and accompaniment: Interlude | Oud | The Dufay Collective | 3:10 |
| Cantigas de amigo, song cycle for voice and accompaniment: Interlude / VI. Eno sagrado en Vigo | Oud | The Dufay Collective | 3:41 |
| Cantigas de amigo, song cycle for voice and accompaniment: IV. Ay Deus se sab’ ora meu amigo | Oud | The Dufay Collective | 3:49 |
| Cantigas de amigo, song cycle for voice and accompaniment: V. Quantas sabedes amar | Oud | The Dufay Collective | 5:49 |
| Concerto no. 2 in F major, BWV1047: I. Allegro | recorder | Scottish Ensemble, Jonathan Rees | 5:18 |
| Concerto no. 2 in F major, BWV1047: II. Andante | recorder | Scottish Ensemble, Jonathan Rees | 3:54 |
| Concerto no. 2 in F major, BWV1047: III. Allegro assai | recorder | Scottish Ensemble, Jonathan Rees | 2:54 |
| Concerto no. 4 in G major, BWV1049: I. Allegro | recorder | Scottish Ensemble, Jonathan Rees | 7:27 |
| Concerto no. 4 in G major, BWV1049: II. Andante | recorder | Scottish Ensemble, Jonathan Rees | 3:41 |
| Concerto no. 4 in G major, BWV1049: III. Presto | recorder | Scottish Ensemble, Jonathan Rees | 5:01 |
| Dance: Je chevauchoie l'autrier | Fidel | The Dufay Collective | 4:15 |
| Dance: La douçours | Fidel | The Dufay Collective | 1:42 |
| Dance: Les un pins | Fidel | The Dufay Collective | 4:00 |
| Dansa: Bailemos nós ja todas tres (after CSM 116's adaptation) | Fidel | The Dufay Collective | 2:24 |
| Eileen Curran / Bunch of Keys | Fiddle [medieval & modern fiddle] | Alva | 3:20 |
| En une vergier | Dudelsack | The Dufay Collective | 2:08 |
| Fair Annie | Fiddle [medieval & modern fiddle] | Alva | 10:10 |
| I love my love | Fiddle [medieval & modern fiddle] | Alva | 3:59 |
| Je chevauchoie l'autrier | Fidel | The Dufay Collective | 4:28 |
| King Orfeo | Fiddle [medieval & modern fiddle] | Alva | 4:13 |
| L'autre jour par un matin | recorder | The Dufay Collective | 1:50 |
| La septieme estampie Real | gittern | The Dufay Collective | 2:55 |
| Lovely Joan / A une ajornée | Fiddle [medieval & modern fiddle] | Alva | 5:36 |
| Quant voi la flor nouvele | Fidel | The Dufay Collective | 1:44 |
| S'anc fui belha | Fiddle [medieval & modern fiddle] | Alva | 6:18 |
| The Cuckoo's Nest | Fiddle [medieval & modern fiddle] | Alva | 3:10 |
| – ???? | Angelus ad virginem | Rebec | The Sixteen, Harry Christophers | 2:41 |
| – ???? | Angelus ad virginem | Geige / Violine | The Sixteen, Harry Christophers | 2:41 |
| – ???? | Ave rex angelorum | Rebec | The Sixteen | 2:09 |
| – ???? | Ave rex angelorum | Geige / Violine | The Sixteen | 2:09 |
| – ???? | Drive the cold winter away | Rebec | The Sixteen | 2:06 |
| – ???? | Drive the cold winter away | Geige / Violine | The Sixteen | 2:06 |
| See all 124 relationships |
| vocals |
|---|
| 1995-02-16 – 1995-02-18 | Alleluya psallat | | The Dufay Collective | 1:20 |
| 1995-02-16 – 1995-02-18 | Beata viscera | | The Dufay Collective | 1:17 |
| 1995-02-16 – 1995-02-18 | Miri it is while sumer ilast | | The Dufay Collective | 2:17 |
| 1995-02-16 – 1995-02-18 | O sponsa Dei electa | | The Dufay Collective | 1:31 |
| 1995-02-16 – 1995-02-18 | Sanctus | | The Dufay Collective | 2:05 |
| 1995-02-16 – 1995-02-18 | Sumer is icumen in | | The Dufay Collective | 4:38 |
| 1995-09-07 – 1995-09-09 | Come Follow Me | | The Dufay Collective | 3:05 |
| 1995-09-07 – 1995-09-09 | Jamaica | | The Dufay Collective | 1:17 |
| 1995-09-07 – 1995-09-09 | Jolly Shepherd | | The Dufay Collective | 1:57 |
| 1995-09-07 – 1995-09-09 | New Oysters | | The Dufay Collective | 2:11 |
| 1995-09-07 – 1995-09-09 | Of All the Birds | | The Dufay Collective | 1:39 |
| 1995-09-07 – 1995-09-09 | The Clothiers Song | | The Dufay Collective | 3:40 |
| 1995-09-07 – 1995-09-09 | The Three Ravens | Tenor-Gesang | The Dufay Collective | 6:01 |
| 1996-02-27 – 1996-02-29 | Beyeita es Maria, CSM 420 | | The Dufay Collective | 6:05 |
| A Dieu commant amouretes | | The Dufay Collective | 1:25 |
| A jointes mains vous proi | | The Dufay Collective | 0:49 |
| Cantiga de Santa María 166: "Martin jograr" (adaptation CSM 166) | | The Dufay Collective | 2:56 |
| Dame or sui traïs | | The Dufay Collective | 1:20 |
| Dieus soit en cheste maison | | The Dufay Collective | 2:00 |
| Fines amouretes | | The Dufay Collective | 2:24 |
| Hé Dieus, quant verrai | | The Dufay Collective | 0:43 |
| On parole / A Paris / Frése nouvele | | The Dufay Collective | 0:59 |
| Pucelete / Je languis / Domino | | The Dufay Collective | 0:58 |
| Tant con je vivrai | | The Dufay Collective | 1:30 |
| Instrumente |
|---|
| ‘A l’estampida’ Medieval Dance Music | Fidel | The Dufay Collective | |
| ‘A l’estampida’ Medieval Dance Music | shawm | The Dufay Collective | |
| ‘A l’estampida’ Medieval Dance Music | Rebec | The Dufay Collective | |
| ‘A l’estampida’ Medieval Dance Music | pipe and tabor | The Dufay Collective | |
| ‘A l’estampida’ Medieval Dance Music | Dudelsack | The Dufay Collective | |
| 3 For Joy | Dudelsack, recorder, Bratsche / Viola und Geige / Violine | Maddy Prior with Hannah James & Giles Lewin | |
| Glad Tidings | Geige / Violine | The Mellstock Band | |
| Robin Hood | Fiddle | Marc Streitenfeld | |
| Robin Hood | Rebec | Marc Streitenfeld | |
| Robin Hood: Original Motion Picture Soundtrack | Rebec | Marc Streitenfeld | |
| Robin Hood: Original Motion Picture Soundtrack | Fiddle | Marc Streitenfeld | |
| The Hunger Games: Mockingjay, Part 1: Original Motion Picture Score | Fiddle und Solo | James Newton Howard | |