| performed |
|---|
| 1986-03 | Johannes-Passion, BWV 245: Teil I. Verrat und Gefangennahme: "Jesus ging mit seinen Jüngern über den Bach Kidron" (Evangelista, Jesus) - Chor "Jesum von Nazareth!" - "Jesus spricht zu ihnen" (Evangelista, Jesus) - Chor "Jesum von Nazareth!" - "Jesus antwortete" (Evangelista, Jesus) | | English Baroque Soloists, Sir John Eliot Gardiner | 2:14 |
| vocals |
|---|
| 1986-03 | Johannes-Passion, BWV 245: Teil II. Verhör und Geißelung: "Da führeten sie Jesum von Kaiphas vor das Richthaus" (Evangelista, Pilatus) - Chor "Wäre dieser nicht ein Übeltäter" - "Da sprach Pilatus zu ihnen" (Evangelista, Pilatus) - Chor "Wir dürfen niemanden töten" - "Auf daß erfüllet würde das Wort Jesu" (Evangelista, Pilatus, Jesus) | bass vocals [Pilate] | English Baroque Soloists, Sir John Eliot Gardiner | 3:55 |
| 1986-03 | Johannes-Passion, BWV 245: Teil II. Verhör und Geißelung: "Da sprach Pilatus zu ihm" (Evangelista, Pilatus, Jesus) - Chor "Nicht diesen, sondern Barrabam!" - "Barrabas aber war ein Mörder" (Evangelista) | bass vocals [Pilate] | English Baroque Soloists, Sir John Eliot Gardiner | 1:52 |
| 1986-03 | Johannes-Passion, BWV 245: Teil II. Verurteilung und Kreuzigung: "Allda kreuzigten sie ihn" - Chor "Schreibe nicht: der Jüden König sondern" - "Pilatus antwortet" (Evangelista, Pilatus) | bass vocals [Pilate] | English Baroque Soloists, Sir John Eliot Gardiner | 2:06 |
| 1986-03 | Johannes-Passion, BWV 245: Teil II. Verurteilung und Kreuzigung: "Die Jüden aber schrieen und sprachen" (Evangelista) - Chor "Lässest du diesen los" - "Da Pilatus das Wort hörete" (Evangelista, Pilatus) - Chor "Weg, weg mit dem" - "Spricht Pilatus zu ihnen" (Evangelista) - Chor "Wir haben keinen König denn den Kaiser" - "Da überantwortete er ihn, daß er gekreuziget würde" (Evangelista) | bass vocals [Pilate] | English Baroque Soloists, Sir John Eliot Gardiner | 3:54 |
| 1986-03 | Johannes-Passion, BWV 245: Teil II. Verurteilung und Kreuzigung: "Und die Kriegsknechte flochten eine Krone von Dornen" (Evangelista) - Chor "Sei gegrüßt lieber Jüdenkönig!" - "Und gaben ihm Backenstreiche" (Evangelista, Pilatus) - Chor "Kreuzige, kreuzige!" - "Pilatus sprach zu ihnen" (Evangelista, Pilatus) - Chor "Wir haben ein Gesetz" - "Da Pilatus das Wort hörete" (Evangelista, Pilatus, Jesus) | bass vocals [Pilate] | English Baroque Soloists, Sir John Eliot Gardiner | 5:23 |
| 1986-03 | Johannes-Passion, BWV 245: Zweiter Teil: 19. Arioso (Bass): Betrachte, Mein Seel | bass vocals | Cornelius Hauptmann, Pavlo Beznosiuk, Roy Goodman, Jakob Lindberg, English Baroque Soloists, John Eliot Gardiner | 2:20 |
| 1986-03 | Johannes-Passion, BWV 245: Zweiter Teil: 24. Arie (Bass) - Chor: Eilt Ihr Angefochtnen Seelen / Wohin? | bass vocals | Cornelius Hauptmann, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | 3:55 |
| 1986-03 | Johannes-Passion, BWV 245: Zweiter Teil: 30. Arie (Altus): Es Ist Vollbracht | bass vocals | Michael Chance, Cornelius Hauptmann, Richard Campbell, English Baroque Soloists, John Eliot Gardiner | 5:19 |
| 1986-03 | Johannes-Passion, BWV 245: Zweiter Teil: 32. Arie (Bass): Mein Teurer Heiland / Mit Choral: Jesu, Der Du Warest Tot | bass vocals | Cornelius Hauptmann, Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | 4:02 |
| 1986-11 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIa. Gloria: "Gloria in excelsis" | bass vocals | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 2:27 |
| 1986-11 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIb. Gloria: "Laudamus te" | bass vocals | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 4:35 |
| 1986-11 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIc. Gloria: "Gratias agimus tibi" | bass vocals | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 1:24 |
| 1986-11 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IId. Gloria: "Domine Deus" | bass vocals | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 2:40 |
| 1986-11 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIf. Gloria: "Quoniam tu solus" | bass vocals | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 3:51 |
| 1986-11 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIg. Gloria: "Jesu Christe" | bass vocals | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 0:43 |
| 1986-11 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIh. Gloria: "Cum Sancto Spiritu" | bass vocals | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 3:51 |
| 1986-11 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIIa. Credo: "Credo in unum Deum" | bass vocals | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 3:30 |
| 1986-11 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IIIb. Credo: "Et incarnatus est" | bass vocals | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 8:09 |
| 1986-11 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": IVa. Sanctus: "Sanctus" | bass vocals | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 3:43 |
| 1986-11 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great": V. Benedictus | bass vocals | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 5:22 |
| 1986-11 | Mass No. 17 for Soloists, Chorus & Orchestra in C minor, K. 417a/427 (Alois Schmitt & John Eliot Gardiner reconstruction) "Great":IIe. Gloria: "Qui tollis" | bass vocals | English Baroque Soloists, Monteverdi Choir, John Eliot Gardiner | 6:19 |
| 1986-11 | Messe e-moll KV 427 - Große Messe | bass vocals | Monteverdi Choir, English Baroque Soloists, Sir John Eliot Gardiner | 7:23 |
| 1988-04 | Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" | bass vocals | English Baroque Soloists, Sir John Eliot Gardiner | 2:53 |
| 1988-04 | St. Matthew Passion, BWV 244: Teil I. "Da ging hin der Zwölfen einer" (Evangelista, Judas) | bass vocals [Judas] | English Baroque Soloists, Sir John Eliot Gardiner | 0:35 |
| 1988-04 | St. Matthew Passion, BWV 244: Teil I. "Er antwortete und sprach" (Evangelista, Jesus, Judas) | bass vocals [Judas] | English Baroque Soloists, Sir John Eliot Gardiner | 2:34 |
| 1988-04 | St. Matthew Passion, BWV 244: Teil I. "Und er kam und fand sie aber schlafend" (Evangelista, Jesus, Judas) | bass vocals [Judas] | English Baroque Soloists, Sir John Eliot Gardiner | 2:26 |
| 1988-04 | St. Matthew Passion, BWV 244: Teil II. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - Chori "Was gehet uns das an?" - "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II) | bass vocals [Judas] | English Baroque Soloists, Sir John Eliot Gardiner | 1:44 |
| 1988-04 | St. Matthew Passion, BWV 244: Teil II. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - Chori "Er ist des Todes schuldig" - "Da speieten sie aus" (Evangelista) - Chori "Weissage uns, Christe" | bass vocals [High Priest] | English Baroque Soloists, Sir John Eliot Gardiner | 1:55 |
| 1988-04 | St. Matthew Passion, BWV 244: Teil II. "Und wiewohl viel falsche Zeugen herzutraten" (Evangelista, Testis I/II, Pontifex) | bass vocals [High Priest] | English Baroque Soloists, Sir John Eliot Gardiner | 1:02 |
| 1988-04 | St. Matthew Passion, BWV 244: Teil II. Aria (Bass) "Mache dich, mein Herze, rein" | bass vocals | English Baroque Soloists, Sir John Eliot Gardiner | 5:57 |
| 1988-04 | St. Matthew Passion, BWV 244: Teil II. Recitativo (Bass) "Am Abend, da es kühle war" | bass vocals | English Baroque Soloists, Sir John Eliot Gardiner | 1:58 |
| 1988-07 | Requiem in D minor, K. 626: IIIb. Tuba mirum (Sequenz) | bass vocals | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | 4:30 |
| 1988-07 | Requiem in D minor, K. 626: IIId. Recordare (Sequenz) | bass vocals | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Symphonieorchester des Bayerischen Rundfunks, Leonard Bernstein | 5:43 |
| 1988-07 | Requiem in D minor, K. 626: IVa. Domine Jesu (Offertorium) | bass vocals | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Wolfgang Seeliger, Leonard Bernstein | 3:30 |
| 1988-07 | Requiem in D minor, K. 626: VI. Benedictus | bass vocals | Maria Ewing, Marie McLaughlin, Jerry Hadley, Cornelius Hauptmann, Chor des Bayerischen Rundfunks, Chor des Bayerischen Rundfunks, Wolfgang Seeliger, Leonard Bernstein | 5:21 |
| 1989-07 | Stabat Mater, Hob.XXa:1: 5. Pro peccatis suae gentis | bass vocals | Simon Standage, Cornelius Hauptmann, The English Concert, Trevor Pinnock | 2:35 |
| 1989-07 | Stabat Mater, Hob.XXa:1: 10. Virgo virginium praeclara | bass vocals | Simon Standage, Choir of the English Concert, Cornelius Hauptmann, Catherine Robbin, Anthony Rolfe Johnson, Patricia Rozario, The English Concert, Trevor Pinnock | 7:01 |
| 1989-07 | Stabat Mater, Hob.XXa:1: 11. Flammis orci ne succendar | bass vocals | Simon Standage, Cornelius Hauptmann, The English Concert, Trevor Pinnock | 1:58 |
| 1990-06 | Idomeneo, re di Creta, K. 366: Act III, Scene X. No. 28 La Voce "Ha vinto Amore" (La Voce) | bass vocals [La voce] | Cornelius Hauptmann, English Baroque Soloists, Sir John Eliot Gardiner | 1:54 |
| 1990-06 | Idomeneo, re di Creta, K. 366: Appendix No. 28 "Ha vinto amore" (Versione più estesa per ottoni / Brass : Longer version) | bass vocals [La voce] | Cornelius Hauptmann, English Baroque Soloists, Sir John Eliot Gardiner | 3:44 |
| 1990-06 | Idomeneo, re di Creta, K. 366: Appendix, No. 28 "A Idomeneo perdona" (Versione per legni / Woodwind version) | bass vocals [La voce] | Cornelius Hauptmann, English Baroque Soloists, Sir John Eliot Gardiner | 2:39 |
| 1990-06 | La clemenza di Tito: Atto I, Scena IV. Recitativo "Te della patria il Padre" (Publio, Annio, Tito) | bass vocals [Publio, prefetto del pretorio] | English Baroque Soloists, Sir John Eliot Gardiner | 1:40 |
| 1990-06 | La clemenza di Tito: Atto I, Scena IX. No 10 Terzetto "Vengo...aspettate...Sesto!" (Vitellia, Annio, Publio) | bass vocals [Publio, prefetto del pretorio] | English Baroque Soloists, Sir John Eliot Gardiner | 2:17 |
| 1990-06 | La clemenza di Tito: Atto I, Scena IX. Recitativo "Vedrai, Tito, vedrai" (Vitellia, Publio, Annio) | bass vocals [Publio, prefetto del pretorio] | English Baroque Soloists, Sir John Eliot Gardiner | 0:43 |
| 1990-06 | La clemenza di Tito: Atto I, Scena X. No 12 Quintetto con Coro "Deh, conservate, oh Dei" (Sesto, Annio, Servilia, Coro, Publio, Vitellia) | bass vocals [Publio, prefetto del pretorio] | English Baroque Soloists, Sir John Eliot Gardiner | 6:35 |
| 1990-06 | La clemenza di Tito: Atto II, Scena II. Recitativo "Partir deggio, o restar?" (Sesto, Vitellia) - Scena III. Recitativo "Sesto!" / "Che chiedi?" (Publio, Sesto, Vitellia) | bass vocals [Publio, prefetto del pretorio] | English Baroque Soloists, Sir John Eliot Gardiner | 1:09 |
| 1990-06 | La clemenza di Tito: Atto II, Scena IV. No 14 Terzetto: "Se al volto mai ti senti" (Sesto, Vitellia, Publio) | bass vocals [Publio, prefetto del pretorio] | English Baroque Soloists, Sir John Eliot Gardiner | 4:36 |
| 1990-06 | La clemenza di Tito: Atto II, Scena IX. No 18 Terzetto "Quello di Tito è il volto!" (Sesto, Tito, Publio) - Recitativo "Odimi, oh Sesto" (Tito, Sesto) | bass vocals [Publio, prefetto del pretorio] | English Baroque Soloists, Sir John Eliot Gardiner | 4:37 |
| 1990-06 | La clemenza di Tito: Atto II, Scena V. No 15 Coro "Ah, grazie si rendano" (Coro, Tito) - Recitativo "È tutto colà d'intorno" (Publio, Tito) | bass vocals [Publio, prefetto del pretorio] | English Baroque Soloists, Sir John Eliot Gardiner | 4:16 |
| 1990-06 | La clemenza di Tito: Atto II, Scena V. No 16 Aria "Tardi s'avvede d'un tradimento" (Publio) | bass vocals [Publio, prefetto del pretorio] | English Baroque Soloists, Sir John Eliot Gardiner | 1:27 |
| 1990-06 | La clemenza di Tito: Atto II, Scena VI. Recitativo "No, così scellerato" (Tito, Annio) - Scena VII. "Cesare, nol diss'io" (Publio, Tito, Annio) | bass vocals [Publio, prefetto del pretorio] | English Baroque Soloists, Sir John Eliot Gardiner | 1:17 |
| 1990-06 | La clemenza di Tito: Atto II, Scena X. Recitativo "Ove s'intese mai più contumace infedeltà?" (Tito) - Scena XI. Recitativo "Publio." / "Cesare." (Tito, Publio) | bass vocals [Publio, prefetto del pretorio] | English Baroque Soloists, Sir John Eliot Gardiner | 1:15 |
| 1990-06 | La clemenza di Tito: Atto II, Scena XV. No 26 Sestetto con Coro "Tu, è ver, m'assolvi, Augusto" (Sesto, Tito, Vitellia, Servilia, Annio, Publio, Coro) | bass vocals [Publio, prefetto del pretorio] | English Baroque Soloists, Sir John Eliot Gardiner | 3:54 |
| 1990-06 | La clemenza di Tito: Atto II, Scena XV. Recitativo "Sesto, de' tuoi delitti" (Tito, Vitellia, Sesto, Servilia, Annio, Publio) - No 25 Recitativo accompagnato "Ma che giorno è mai questo?" (Tito) | bass vocals [Publio, prefetto del pretorio] | English Baroque Soloists, Sir John Eliot Gardiner | 3:13 |
| 1990-12 | Die Zauberflöte: Akt II. Nr. 8 Finale „Herr, ich bin zwar Verbrecherin!“ (Pamina, Sarastro) | bass vocals [Sarastro] | Cornelius Hauptmann, Dawn Upshaw, London Classical Players, Sir Roger Norrington | 2:16 |
| 1990-12 | Die Zauberflöte: Akt II. Nr. 8 Finale „Na, stolzer Jüngling“ (Monostatos, Pamina, Tamino, Gefolge, Sarastro) | bass vocals [Sarastro] | Cornelius Hauptmann, Guy de Mey, Anthony Rolfe Johnson, The Schütz Choir of London, Dawn Upshaw, London Classical Players, Sir Roger Norrington | 1:53 |
| 1990-12 | Die Zauberflöte: Akt II. Nr. 9 Dialog „Ihr, in dem Weisheitstempel eingeweihten Diener“ (Sarastro, Drei Priester, Sprecher) | bass vocals [Sarastro] | Simon Birchall, Olaf Bär, Cornelius Hauptmann, Rufus Müller, Wolfgang Riedelbauch | 3:22 |
| 1990-12 | Die Zauberflöte: Akt II. Nr. 10 Aria con coro „O Isis und Osiris“ (Sarastro, Priester) | bass vocals [Sarastro] | Simon Birchall, Cornelius Hauptmann, Rufus Müller, Wolfgang Riedelbauch, The Schütz Choir of London, London Classical Players, Sir Roger Norrington | 2:32 |
| 1990-12 | Die Zauberflöte: Akt II. Nr. 14 Dialog „Morden soll ich?“ (Pamina, Monostatos, Sarastro) | bass vocals [Sarastro] | Cornelius Hauptmann, Guy de Mey, Dawn Upshaw | 2:07 |
| 1990-12 | Die Zauberflöte: Akt II. Nr. 15 Aria „In diesen heil’gen Hallen kennt“ (Sarastro) | bass vocals [Sarastro] | Cornelius Hauptmann, London Classical Players, Sir Roger Norrington | 2:46 |
| 1990-12 | Die Zauberflöte: Akt II. Nr. 17 Dialog „Nicht wahr, Tamino“ (Papageno, Sarastros Löwen) | bass vocals [Sarastro] | Cornelius Hauptmann, Andreas Schmidt | 1:38 |
| 1990-12 | Die Zauberflöte: Akt II. Nr. 18 Dialog „Prinz, dein Betragen war bis hieher männlich und gelassen“ (Sarastro, Pamina, Tamino) | bass vocals [Sarastro] | Cornelius Hauptmann, Anthony Rolfe Johnson, Dawn Upshaw | 0:39 |
| 1990-12 | Die Zauberflöte: Akt II. Nr. 19 Terzetto „Soll ich dich, Teurer, nicht mehr sehn?“ (Sarastro, Pamina, Tamino) | bass vocals [Sarastro] | Cornelius Hauptmann, Anthony Rolfe Johnson, Dawn Upshaw, London Classical Players, Sir Roger Norrington | 2:48 |
| 1990-12 | Die Zauberflöte: Akt II. Nr. 21 Finale „Die Strahlen der Sonne vertreiben die Nacht“ (Sarastro, Gefolge, Priester) | bass vocals [Sarastro] | Simon Birchall, Cornelius Hauptmann, Rufus Müller, Wolfgang Riedelbauch, The Schütz Choir of London, London Classical Players, Sir Roger Norrington | 1:18 |
| 1991-07 | Die Entführung aus dem Serail, K. 384: Act I, Du bist so großmütig, so gut / Ha, Triumph, Triumph, Herr! / Wohin? ... Hinein! | bass vocals [Osmin, Aufseher über das Landhaus des Bassa] | English Baroque Soloists, Sir John Eliot Gardiner | 2:40 |
| 1991-07 | Die Entführung aus dem Serail, K. 384: Act I, Nun, wie steht's, Osmin? | bass vocals [Osmin, Aufseher über das Landhaus des Bassa] | English Baroque Soloists, Sir John Eliot Gardiner | 0:21 |
| 1991-07 | Die Entführung aus dem Serail, K. 384: Act I, Scene II. No. 2 Lied und Duetto "Wer ein Liebchen hat gefunden" (Osmin, Belmonte) | bass vocals [Osmin, Aufseher über das Landhaus des Bassa] | English Baroque Soloists, Sir John Eliot Gardiner | 6:23 |
| 1991-07 | Die Entführung aus dem Serail, K. 384: Act I, Scene III. No. 3 Aria "Solche hergelauf'ne Laffen" (Osmin) | bass vocals [Osmin, Aufseher über das Landhaus des Bassa] | English Baroque Soloists, Sir John Eliot Gardiner | 4:51 |
| 1991-07 | Die Entführung aus dem Serail, K. 384: Act I, Scene X. No. 7 Trio "Marsch, marsch, marsch! Trollt euch fort" (Osmin, Belmonte, Pedrillo) | bass vocals [Osmin, Aufseher über das Landhaus des Bassa] | English Baroque Soloists, Sir John Eliot Gardiner | 2:11 |
| 1991-07 | Die Entführung aus dem Serail, K. 384: Act II, Gift und Dolch / O, des Zankens, Befehlens und Murrens / Nr. 8: Durch Zärtlichkeit und Schmeicheln | bass vocals [Osmin, Aufseher über das Landhaus des Bassa] | English Baroque Soloists, Sir John Eliot Gardiner | 4:41 |
| 1991-07 | Die Entführung aus dem Serail, K. 384: Act II, Scene I. Dialog "Zärtlichkeit? Schmeicheln? Es ist mir wie pure Zärtlichkeit!" (Osmin, Blonde) | bass vocals [Osmin, Aufseher über das Landhaus des Bassa] | English Baroque Soloists, Sir John Eliot Gardiner | 0:47 |
| 1991-07 | Die Entführung aus dem Serail, K. 384: Act II, Scene I. No. 9 Duetto "Ich gehe, doch rate ich dir" (Osmin, Blonde) | bass vocals [Osmin, Aufseher über das Landhaus des Bassa] | English Baroque Soloists, Sir John Eliot Gardiner | 3:31 |
| 1991-07 | Die Entführung aus dem Serail, K. 384: Act II, Scene VIII. Dialog "Ha! Geht's hier so lustig zu?" (Osmin, Pedrillo) | bass vocals [Osmin, Aufseher über das Landhaus des Bassa] | English Baroque Soloists, Sir John Eliot Gardiner | 1:20 |
| 1991-07 | Die Entführung aus dem Serail, K. 384: Act II, Scene VIII. No. 14 Duetto "Vivat Bacchus! Bacchus lebe!" (Pedrillo, Osmin) | bass vocals [Osmin, Aufseher über das Landhaus des Bassa] | English Baroque Soloists, Sir John Eliot Gardiner | 2:03 |
| 1991-07 | Die Entführung aus dem Serail, K. 384: Act II, Wein - das ist wahr - Wein / Pedrillo, ist Konstanze noch nicht hier? | bass vocals [Osmin, Aufseher über das Landhaus des Bassa] | English Baroque Soloists, Sir John Eliot Gardiner | 1:53 |
| 1991-07 | Die Entführung aus dem Serail, K. 384: Act III, No. 21a. Finale. Vaudeville: "Nie werd' ich deine Huld verkennen" (Tutti) | bass vocals [Osmin, Aufseher über das Landhaus des Bassa] | English Baroque Soloists, Sir John Eliot Gardiner | 4:53 |
| 1991-07 | Die Entführung aus dem Serail, K. 384: Act III, Nun, Sklave! Erwartest du dein Urteil? | bass vocals [Osmin, Aufseher über das Landhaus des Bassa] | English Baroque Soloists, Sir John Eliot Gardiner | 2:03 |
| 1991-07 | Die Entführung aus dem Serail, K. 384: Act III, Scene V. No. 19 Aria "O, wie will ich triumphieren" (Osmin) | bass vocals [Osmin, Aufseher über das Landhaus des Bassa] | Cornelius Hauptmann, English Baroque Soloists, Sir John Eliot Gardiner | 3:21 |
| 1991-07 | Die Entführung aus dem Serail, K. 384: Act III, Scene V. No. 19 Aria "O, wie will ich triumphieren" (Osmin) | bass vocals [Osmin] | Cornelius Hauptmann, English Baroque Soloists, Sir John Eliot Gardiner | 3:21 |
| 1991-07 | Die Entführung aus dem Serail, K. 384: Act III, Sie macht auf, Herr! / Gift und Dolch! Was ist das? | bass vocals [Osmin, Aufseher über das Landhaus des Bassa] | English Baroque Soloists, Sir John Eliot Gardiner | 1:39 |
| 1991-07 | Die Entführung aus dem Serail, K. 384: Act III, Was gibt's, Osmin, was gibt's? | bass vocals [Osmin, Aufseher über das Landhaus des Bassa] | English Baroque Soloists, Sir John Eliot Gardiner | 2:20 |
| 1995-02 | Missa Solemnis en ré majeur, op. 123: Agnus Dei | bass vocals | La Chapelle Royale, Collegium Vocale Gent, Cornelius Hauptmann, Rosa Mannion, Birgit Remmert, James Taylor, Orchestre des Champs‐Élysées, Philippe Herreweghe | 16:09 |
| 1995-02 | Missa Solemnis en ré majeur, op. 123: Benedictus | bass vocals | La Chapelle Royale, Collegium Vocale Gent, Cornelius Hauptmann, Rosa Mannion, Birgit Remmert, James Taylor, Orchestre des Champs‐Élysées, Philippe Herreweghe | 9:22 |
| 1995-02 | Missa Solemnis en ré majeur, op. 123: Credo | bass vocals | La Chapelle Royale, Collegium Vocale Gent, Cornelius Hauptmann, Rosa Mannion, Birgit Remmert, James Taylor, Orchestre des Champs‐Élysées, Philippe Herreweghe | 17:42 |
| 1995-02 | Missa Solemnis en ré majeur, op. 123: Gloria | bass vocals | La Chapelle Royale, Collegium Vocale Gent, Cornelius Hauptmann, Rosa Mannion, Birgit Remmert, James Taylor, Orchestre des Champs‐Élysées, Philippe Herreweghe | 17:00 |
| 1995-02 | Missa Solemnis en ré majeur, op. 123: Kyrie | bass vocals | La Chapelle Royale, Collegium Vocale Gent, Cornelius Hauptmann, Rosa Mannion, Birgit Remmert, James Taylor, Orchestre des Champs‐Élysées, Philippe Herreweghe | 11:51 |
| 1995-02 | Missa Solemnis en ré majeur, op. 123: Sanctus | bass vocals | La Chapelle Royale, Collegium Vocale Gent, Cornelius Hauptmann, Rosa Mannion, Birgit Remmert, James Taylor, Orchestre des Champs‐Élysées, Philippe Herreweghe | 5:17 |
| 1995-04 | Mass no. 6 in E flat, D. 950 I. Kyrie: Kyrie eleison | bass vocals | Martina Borst, Peter Grönlund, Cornelius Hauptmann, Soile Isokoski, Kammerchor Stuttgart, Christoph Prégardien, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | 6:07 |
| 1995-04 | Mass no. 6 in E flat, D. 950 II. Gloria: Cum santo Spiritu | bass vocals | Martina Borst, Peter Grönlund, Cornelius Hauptmann, Soile Isokoski, Kammerchor Stuttgart, Christoph Prégardien, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | 3:47 |
| 1995-04 | Mass no. 6 in E flat, D. 950 II. Gloria: Domine Deus | bass vocals | Martina Borst, Peter Grönlund, Cornelius Hauptmann, Soile Isokoski, Kammerchor Stuttgart, Christoph Prégardien, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | 3:56 |
| 1995-04 | Mass no. 6 in E flat, D. 950 II. Gloria: Gloria | bass vocals | Martina Borst, Peter Grönlund, Cornelius Hauptmann, Soile Isokoski, Kammerchor Stuttgart, Christoph Prégardien, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | 4:20 |
| 1995-04 | Mass no. 6 in E flat, D. 950 II. Gloria: Quoniam tu solis | bass vocals | Martina Borst, Peter Grönlund, Cornelius Hauptmann, Soile Isokoski, Kammerchor Stuttgart, Christoph Prégardien, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | 0:55 |
| 1995-04 | Mass no. 6 in E flat, D. 950 III. Credo: Credo | bass vocals | Martina Borst, Peter Grönlund, Cornelius Hauptmann, Soile Isokoski, Kammerchor Stuttgart, Christoph Prégardien, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | 2:57 |
| 1995-04 | Mass no. 6 in E flat, D. 950 III. Credo: Et incarnatus est | bass vocals | Martina Borst, Peter Grönlund, Cornelius Hauptmann, Soile Isokoski, Kammerchor Stuttgart, Christoph Prégardien, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | 5:54 |
| 1995-04 | Mass no. 6 in E flat, D. 950 III. Credo: Et resurrexit | bass vocals | Martina Borst, Peter Grönlund, Cornelius Hauptmann, Soile Isokoski, Kammerchor Stuttgart, Christoph Prégardien, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | 2:25 |
| 1995-04 | Mass no. 6 in E flat, D. 950 III. Credo: Et vitam venturi | bass vocals | Martina Borst, Peter Grönlund, Cornelius Hauptmann, Soile Isokoski, Kammerchor Stuttgart, Christoph Prégardien, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | 4:09 |
| 1995-04 | Mass no. 6 in E flat, D. 950 IV. Sanctus: Osanna in excelsis | bass vocals | Martina Borst, Peter Grönlund, Cornelius Hauptmann, Soile Isokoski, Kammerchor Stuttgart, Christoph Prégardien, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | 1:04 |
| 1995-04 | Mass no. 6 in E flat, D. 950 IV. Sanctus: Sanctus | bass vocals | Martina Borst, Peter Grönlund, Cornelius Hauptmann, Soile Isokoski, Kammerchor Stuttgart, Christoph Prégardien, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | 2:34 |
| 1995-04 | Mass no. 6 in E flat, D. 950 V. Benedictus: Benedictus | bass vocals | Martina Borst, Peter Grönlund, Cornelius Hauptmann, Soile Isokoski, Kammerchor Stuttgart, Christoph Prégardien, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | 4:11 |
| 1995-04 | Mass no. 6 in E flat, D. 950 V. Benedictus: Osanna in excelsis | bass vocals | Martina Borst, Peter Grönlund, Cornelius Hauptmann, Soile Isokoski, Kammerchor Stuttgart, Christoph Prégardien, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | 1:07 |
| See all 126 relationships |
Play on ListenBrainz