| vocals |
|---|
| 1941-01-18 | Otello: Atto I. “Abbasso le spade!” | Tenor-Gesang [Cassio] | George Cehanovsky, Giovanni Martinelli, Alessio de Paolis, Lawrence Tibbett, Metropolitan Opera Orchestra, Ettore Panizza | 3:40 |
| 1941-01-18 | Otello: Atto I. “Innaffia l’ugola! Trinca, tracanna” | Tenor-Gesang [Cassio] | John Dudley, Metropolitan Opera Chorus, Alessio de Paolis, Lawrence Tibbett, Metropolitan Opera Orchestra, Ettore Panizza | 5:03 |
| 1941-01-18 | Otello: Atto I. “Una vela! Una vela” | Tenor-Gesang [Cassio] | George Cehanovsky, John Dudley, Metropolitan Opera Chorus, Alessio de Paolis, Lawrence Tibbett, Metropolitan Opera Orchestra, Ettore Panizza | 3:40 |
| 1941-01-18 | Otello: Atto II. “Non ti crucciar” | Tenor-Gesang [Cassio] | Alessio de Paolis, Lawrence Tibbett, Metropolitan Opera Orchestra, Ettore Panizza | 3:30 |
| 1941-01-18 | Otello: Atto III. “A terra!… Si… Nel livido fango” | Tenor-Gesang [Cassio] | John Dudley, Giovanni Martinelli, Metropolitan Opera Chorus, Nicola Moscona, Alessio de Paolis, Stella Roman, Lawrence Tibbett, Thelma Votipka, Metropolitan Opera Orchestra, Ettore Panizza | 2:55 |
| 1941-01-18 | Otello: Atto III. “Quella innocente un fremito” | Tenor-Gesang [Cassio] | John Dudley, Giovanni Martinelli, Metropolitan Opera Chorus, Nicola Moscona, Alessio de Paolis, Stella Roman, Lawrence Tibbett, Thelma Votipka, Metropolitan Opera Orchestra, Ettore Panizza | 4:57 |
| 1941-01-18 | Otello: Atto III. “Quest’è il segnale” | Tenor-Gesang [Cassio] | Giovanni Martinelli, Metropolitan Opera Chorus, Alessio de Paolis, Lawrence Tibbett, Metropolitan Opera Orchestra, Ettore Panizza | 2:18 |
| 1941-01-18 | Otello: Atto III. “Vieni; l’aula è deserta” | Tenor-Gesang [Cassio] | Giovanni Martinelli, Alessio de Paolis, Lawrence Tibbett, Metropolitan Opera Orchestra, Ettore Panizza | 5:15 |
| 1941-01-18 | Otello: Atto IV. “Niun mi tema” | Tenor-Gesang [Cassio] | George Cehanovsky, Giovanni Martinelli, Nicola Moscona, Alessio de Paolis, Metropolitan Opera Orchestra, Ettore Panizza | 5:34 |
| 1943-03-27 | Carmen : Acte II. « Eh bien ! Vite, quelles nouvelles » | Tenor-Gesang [Le Remendado] | George Cehanovsky, Lily Djanel, Helen Olheim, Alessio de Paolis, Thelma Votipka, Metropolitan Opera Orchestra, Sir Thomas Beecham | 5:50 |
| 1943-03-27 | Carmen : Acte II. « Halte là ! Qui va là ? Dragon d’Alcala » | Tenor-Gesang [Le Remendado] | George Cehanovsky, Lily Djanel, Raoul Jobin, Helen Olheim, Alessio de Paolis, Thelma Votipka, Metropolitan Opera Orchestra, Sir Thomas Beecham | 6:18 |
| 1943-03-27 | Carmen : Acte II. « Holà Carmen ! Holà ! » | Tenor-Gesang [Le Remendado] | Lorenzo Alvary, George Cehanovsky, Lily Djanel, Raoul Jobin, Metropolitan Opera Chorus, Alessio de Paolis, Metropolitan Opera Orchestra, Sir Thomas Beecham | 4:10 |
| 1943-03-27 | Carmen : Acte III. « Écoute, écoute, compagnon » | Tenor-Gesang [Le Remendado] | George Cehanovsky, Lily Djanel, Raoul Jobin, Metropolitan Opera Chorus, Helen Olheim, Alessio de Paolis, Thelma Votipka, Metropolitan Opera Orchestra, Sir Thomas Beecham | 6:41 |
| 1943-03-27 | Carmen : Acte III. « Holà, holà ! José ! » | Tenor-Gesang [Le Remendado] | Licia Albanese, George Cehanovsky, Lily Djanel, Raoul Jobin, Metropolitan Opera Chorus, Helen Olheim, Alessio de Paolis, Thelma Votipka, Leonard Warren, Metropolitan Opera Orchestra, Sir Thomas Beecham | 10:31 |
| 1949-02-26 | Falstaff: Atto I. “È un ribaldo, un furbo, un ladro“ | Tenor-Gesang [Bardolfo] | Licia Albanese, Lorenzo Alvary, Leslie Chabay, Cloë Elmo, Martha Lipton, Alessio de Paolis, Regina Resnik, Giuseppe Valdengo, Giuseppe di Stefano, Metropolitan Opera Orchestra, Fritz Reiner | 2:09 |
| 1949-02-26 | Falstaff: Atto I. “Falstaff!“ … “Olà” | Tenor-Gesang [Bardolfo] | Lorenzo Alvary, Leslie Chabay, Alessio de Paolis, Leonard Warren, Metropolitan Opera Orchestra, Fritz Reiner | 5:11 |
| 1949-02-26 | Falstaff: Atto I. “Fulgida alice! Amor t'offro“ | Tenor-Gesang [Bardolfo] | Licia Albanese, Lorenzo Alvary, Leslie Chabay, Cloë Elmo, Martha Lipton, Alessio de Paolis, Regina Resnik, Giuseppe Valdengo, Giuseppe di Stefano, Metropolitan Opera Orchestra, Fritz Reiner | 3:25 |
| 1949-02-26 | Falstaff: Atto I. “Sei polli: Sei scellini” | Tenor-Gesang [Bardolfo] | Alessio de Paolis, Leonard Warren, Metropolitan Opera Orchestra, Fritz Reiner | 6:18 |
| 1949-02-26 | Falstaff: Atto I. “Udrai quanta egli sfoggia” | Tenor-Gesang [Bardolfo] | Lorenzo Alvary, Alessio de Paolis, Giuseppe Valdengo, Metropolitan Opera Orchestra, Fritz Reiner | 3:17 |
| 1949-02-26 | Falstaff: Atto II. “Al ladro!” | Tenor-Gesang [Bardolfo] | Lorenzo Alvary, Leslie Chabay, Alessio de Paolis, Giuseppe Valdengo, Metropolitan Opera Orchestra, Fritz Reiner | ?:?? |
| 1949-02-26 | Falstaff: Atto II. “Alice è mia! Va, vecchio John“ | Tenor-Gesang [Bardolfo] | Alessio de Paolis, Leonard Warren, Metropolitan Opera Orchestra, Fritz Reiner | 1:42 |
| 1949-02-26 | Falstaff: Atto II. “In me vedete un uom che ha un'abbondanza grande” | Tenor-Gesang [Bardolfo] | Lorenzo Alvary, Alessio de Paolis, Giuseppe Valdengo, Leonard Warren, Metropolitan Opera Orchestra, Fritz Reiner | 8:54 |
| 1949-02-26 | Falstaff: Atto II. “Se t'agguanto“ | Tenor-Gesang [Bardolfo] | Licia Albanese, Lorenzo Alvary, Leslie Chabay, Cloë Elmo, Martha Lipton, Metropolitan Opera Chorus, Alessio de Paolis, Regina Resnik, Giuseppe Valdengo, Leonard Warren, Giuseppe di Stefano, Metropolitan Opera Orchestra, Fritz Reiner | ?:?? |
| 1949-02-26 | Falstaff: Atto II. “Siam pentiti e contriti“ | Tenor-Gesang [Bardolfo] | Lorenzo Alvary, Alessio de Paolis, Leonard Warren, Metropolitan Opera Orchestra, Fritz Reiner | 1:09 |
| 1949-02-26 | Falstaff: Atto II. “Signore, v'assista il cielo!“ | Tenor-Gesang [Bardolfo] | Lorenzo Alvary, Alessio de Paolis, Giuseppe Valdengo, Leonard Warren, Metropolitan Opera Orchestra, Fritz Reiner | 0:50 |
| 1949-02-26 | Falstaff: Atto II. “Voi mi celiate: Io temo i vostri inganni” | Tenor-Gesang [Bardolfo] | Lorenzo Alvary, Cloë Elmo, Martha Lipton, Alessio de Paolis, Regina Resnik, Giuseppe Valdengo, Leonard Warren, Metropolitan Opera Orchestra, Fritz Reiner | ?:?? |
| 1949-02-26 | Falstaff: Atto III. “Ah! Ah! Ah! Ah!” | Tenor-Gesang [Bardolfo] | Licia Albanese, Lorenzo Alvary, Leslie Chabay, Cloë Elmo, Martha Lipton, Metropolitan Opera Chorus, Alessio de Paolis, Regina Resnik, Giuseppe Valdengo, Leonard Warren, Giuseppe di Stefano, Metropolitan Opera Orchestra, Fritz Reiner | ?:?? |
| 1949-02-26 | Falstaff: Atto III. “Alto là!” | Tenor-Gesang [Bardolfo] | Licia Albanese, Lorenzo Alvary, Cloë Elmo, Martha Lipton, Alessio de Paolis, Regina Resnik, Giuseppe Valdengo, Leonard Warren, Metropolitan Opera Orchestra, Fritz Reiner | ?:?? |
| 1949-02-26 | Falstaff: Atto III. “Ogni sorta di gente dozzinale” | Tenor-Gesang [Bardolfo] | Licia Albanese, Lorenzo Alvary, Leslie Chabay, Cloë Elmo, Martha Lipton, Metropolitan Opera Chorus, Alessio de Paolis, Regina Resnik, Giuseppe Valdengo, Leonard Warren, Giuseppe di Stefano, Metropolitan Opera Orchestra, Fritz Reiner | ?:?? |
| 1949-02-26 | Falstaff: Atto III. “Tutto nel mondo è burla” | Tenor-Gesang [Bardolfo] | Licia Albanese, Lorenzo Alvary, Leslie Chabay, Cloë Elmo, Martha Lipton, Metropolitan Opera Chorus, Alessio de Paolis, Regina Resnik, Giuseppe Valdengo, Leonard Warren, Giuseppe di Stefano, Metropolitan Opera Orchestra, Fritz Reiner | ?:?? |
| 1949-05-26 – 1949-05-28 | Madama Butterfly: Atto I. “Amore o grillo” (Pinkerton) | Tenor-Gesang [Goro] | Alessio de Paolis, Richard Tucker, Giuseppe Valdengo, Metropolitan Opera Orchestra, Max Rudolf | 3:13 |
| 1949-05-26 – 1949-05-28 | Madama Butterfly: Atto I. “Cio‐Cio‐san!” (Bonze, Ensemble) | Tenor-Gesang [Goro] | Melchiorre Luise, Metropolitan Opera Chorus, Alessio de Paolis, Richard Tucker, Metropolitan Opera Orchestra, Max Rudolf | 7:46 |
| 1949-05-26 – 1949-05-28 | Madama Butterfly: Atto I. “E soffitto e pareti” (Pinkerton, Goro) | Tenor-Gesang [Goro] | Alessio de Paolis, Richard Tucker, Metropolitan Opera Orchestra, Max Rudolf | 5:06 |
| 1949-05-26 – 1949-05-28 | Madama Butterfly: Atto I. “Gran ventura” (Butterfly, Pinkerton, Sharpless, Friends) | Tenor-Gesang [Goro] | Metropolitan Opera Chorus, Alessio de Paolis, Eleanor Steber, Richard Tucker, Giuseppe Valdengo, Metropolitan Opera Orchestra, Max Rudolf | 3:34 |
| 1949-05-26 – 1949-05-28 | Madama Butterfly: Atto I. “L’Imperial Commissario” (Goro) | Tenor-Gesang [Goro] | Metropolitan Opera Chorus, Alessio de Paolis, Eleanor Steber, Richard Tucker, Giuseppe Valdengo, Metropolitan Opera Orchestra, Max Rudolf | 2:12 |
| 1949-05-26 – 1949-05-28 | Madama Butterfly: Atto I. “Tutti zitti!” (Goro, Commissioner) | Tenor-Gesang [Goro] | John Baker, Alessio de Paolis, Metropolitan Opera Orchestra, Max Rudolf | 1:16 |
| 1949-05-26 – 1949-05-28 | Madama Butterfly: Atto I. “Vieni, amor mio!” (Pinkerton, Butterfly) | Tenor-Gesang [Goro] | Alessio de Paolis, Eleanor Steber, Richard Tucker, Metropolitan Opera Orchestra, Max Rudolf | 2:42 |
| 1949-05-26 – 1949-05-28 | Madama Butterfly: Atto II. “C’è. Entrate” (Goro) | Tenor-Gesang [Goro] | George Cehanovsky, Jean Madeira, Alessio de Paolis, Eleanor Steber, Giuseppe Valdengo, Metropolitan Opera Orchestra, Max Rudolf | 3:48 |
| 1951-05-16 – 1951-06-22 | Carmen : Acte II. « Bel officier, bel officier » | Tenor-Gesang [Le Remendado] | George Cehanovsky, Osie Hawkins, Alessio de Paolis, Risë Stevens, RCA Victor Orchestra, Fritz Reiner | 3:17 |
| 1951-05-16 – 1951-06-22 | Carmen : Acte II. « Eh bien, vite, quelles nouvelles ? » | Tenor-Gesang [Le Remendado] | George Cehanovsky, Paula Lenchner, Alessio de Paolis, Margaret Roggero, Risë Stevens, RCA Victor Orchestra, Fritz Reiner | 0:59 |
| 1951-05-16 – 1951-06-22 | Carmen : Acte II. « Halte là ? Qui va là ? » | Tenor-Gesang [Le Remendado] | George Cehanovsky, Paula Lenchner, Alessio de Paolis, Jan Peerce, Margaret Roggero, Risë Stevens, RCA Victor Orchestra, Fritz Reiner | 1:20 |
| 1951-05-16 – 1951-06-22 | Carmen : Acte II. « Holà ! Carmen ! Holà ! Holà ! » | Tenor-Gesang [Le Remendado] | George Cehanovsky, Osie Hawkins, Alessio de Paolis, Jan Peerce, Robert Shaw Chorale, Risë Stevens, RCA Victor Orchestra, Fritz Reiner | 1:14 |
| 1951-05-16 – 1951-06-22 | Carmen : Acte II. « Mais qui donc attends‐tu ? » | Tenor-Gesang [Le Remendado] | George Cehanovsky, Alessio de Paolis, Risë Stevens, RCA Victor Orchestra, Fritz Reiner | 0:30 |
| 1951-05-16 – 1951-06-22 | Carmen : Acte II. « Nous avons en tête une affaire » (Quintet) | Tenor-Gesang [Le Remendado] | George Cehanovsky, Paula Lenchner, Alessio de Paolis, Margaret Roggero, Risë Stevens, RCA Victor Orchestra, Fritz Reiner | 4:40 |
| 1951-05-16 – 1951-06-22 | Carmen : Acte III. « Écoute, écoute, compagnon, écoute » | Tenor-Gesang [Le Remendado] | George Cehanovsky, Paula Lenchner, Alessio de Paolis, Jan Peerce, Robert Shaw Chorale, Margaret Roggero, Risë Stevens, RCA Victor Orchestra, Fritz Reiner | 4:08 |
| 1951-05-16 – 1951-06-22 | Carmen : Acte III. « Holà, holà, José ! » | Tenor-Gesang [Le Remendado] | Licia Albanese, George Cehanovsky, Paula Lenchner, Robert Merrill, Alessio de Paolis, Jan Peerce, Robert Shaw Chorale, Margaret Roggero, Risë Stevens, RCA Victor Orchestra, Fritz Reiner | 1:57 |
| 1951-05-16 – 1951-06-22 | Carmen : Acte III. « Moi, je viens te chercher ! » | Tenor-Gesang [Le Remendado] | Licia Albanese, George Cehanovsky, Paula Lenchner, Robert Merrill, Alessio de Paolis, Jan Peerce, Robert Shaw Chorale, Margaret Roggero, Risë Stevens, RCA Victor Orchestra, Fritz Reiner | 2:57 |
| 1951-05-16 – 1951-06-22 | Carmen : Acte III. « Quant au douanier, c’est notre affaire » | Tenor-Gesang [Le Remendado] | George Cehanovsky, Paula Lenchner, Alessio de Paolis, Robert Shaw Chorale, Margaret Roggero, Risë Stevens, RCA Victor Orchestra, Fritz Reiner | 3:03 |
| 1951-05-16 – 1951-06-22 | Carmen : Acte III. Final « Halte ! Quelqu'un est là » | Tenor-Gesang [Le Remendado] | Licia Albanese, George Cehanovsky, Paula Lenchner, Robert Merrill, Alessio de Paolis, Jan Peerce, Robert Shaw Chorale, Margaret Roggero, Risë Stevens, RCA Victor Orchestra, Fritz Reiner | 3:16 |
| 1952-02-16 | Carmen : Acte II. « Holà ! Carmen ! Holà ! Holà ! » | Tenor-Gesang [Le Remendado] | George Cehanovsky, Osie Hawkins, Metropolitan Opera Chorus, Alessio de Paolis, Risë Stevens, Richard Tucker, Metropolitan Opera Orchestra, Fritz Reiner | 4:47 |
| 1952-02-16 | Carmen : Acte II. « Mais qui donc attends‐tu ? Halte‐là ! Qui va là ? » | Tenor-Gesang [Le Remendado] | George Cehanovsky, Alessio de Paolis, Risë Stevens, Metropolitan Opera Orchestra, Fritz Reiner | 2:57 |
| 1952-02-16 | Carmen : Acte II. « Nous avons en tête une affaire » | Tenor-Gesang [Le Remendado] | Lucine Amara, George Cehanovsky, Alessio de Paolis, Margaret Roggero, Risë Stevens, Metropolitan Opera Orchestra, Fritz Reiner | 4:49 |
| 1952-02-16 | Carmen : Acte III. « Écoute, écoute, compagnon, écoute ! » | Tenor-Gesang [Le Remendado] | Lucine Amara, George Cehanovsky, Metropolitan Opera Chorus, Alessio de Paolis, Margaret Roggero, Risë Stevens, Richard Tucker, Metropolitan Opera Orchestra, Fritz Reiner | 4:03 |
| 1952-02-16 | Carmen : Acte III. « Eh bien ? » … « Quant au douanier, c’est notre affaire ! » | Tenor-Gesang [Le Remendado] | Lucine Amara, George Cehanovsky, Metropolitan Opera Chorus, Alessio de Paolis, Margaret Roggero, Risë Stevens, Metropolitan Opera Orchestra, Fritz Reiner | 3:41 |
| 1952-02-16 | Carmen : Acte III. « Holà ! Holà ! José ! » | Tenor-Gesang [Le Remendado] | Lucine Amara, George Cehanovsky, Nadine Conner, Metropolitan Opera Chorus, Alessio de Paolis, Margaret Roggero, Paolo Silveri, Risë Stevens, Richard Tucker, Metropolitan Opera Orchestra, Fritz Reiner | 2:58 |
| 1952-03-15 | La bohème: Atto II. “Ahi! Qual dolore, qual bruciore!” | Tenor-Gesang [Alcindoro] | Hilde Güden, Alessio de Paolis, Metropolitan Opera Orchestra, Alberto Erede | 3:42 |
| 1952-03-15 | La bohème: Atto II. “Ch’io beva del tossico!” | Tenor-Gesang [Alcindoro] | Licia Albanese, Giuseppe Di Stefano, Frank Guarrera, Hilde Güden, Clifford Harvuot, Metropolitan Opera Chorus, Alessio de Paolis, Cesare Siepi, Metropolitan Opera Orchestra, Alberto Erede | 3:15 |
| 1952-03-15 | La bohème: Atto II. “Quando men vo’” | Tenor-Gesang [Alcindoro] | Licia Albanese, Frank Guarrera, Hilde Güden, Clifford Harvuot, Alessio de Paolis, Cesare Siepi, Metropolitan Opera Orchestra, Alberto Erede | 3:08 |
| 1956-01-07 | Tosca: Atto I. “O galantuomo, come andò la caccia?” (Scarpia, Spoletta) | Tenor-Gesang [Spoletta] | Alessio de Paolis, Leonard Warren, Metropolitan Opera Orchestra, Dimitri Mitropoulos | 3:36 |
| 1956-01-07 | Tosca: Atto I. “Orsù, Tosca, parlate” (Scarpia, Tosca, Cavaradossi, Spoletta) | Tenor-Gesang [Spoletta] | Alessio de Paolis, Renata Tebaldi, Richard Tucker, Leonard Warren, Metropolitan Opera Orchestra, Dimitri Mitropoulos | 3:48 |
| 1956-01-07 | Tosca: Atto I. “Ov'è Angelotti?” (Scarpia, Cavaradossi, Spoletta, Tosca) | Tenor-Gesang [Spoletta] | Alessio de Paolis, Renata Tebaldi, Richard Tucker, Leonard Warren, Metropolitan Opera Orchestra, Dimitri Mitropoulos | 2:03 |
| 1956-01-07 | Tosca: Atto I. “Tre birri... Una carrozza” (Scarpia, Spoletta, corteggio del Cardinale, folla) | Tenor-Gesang [Spoletta] | Metropolitan Opera Chorus, Alessio de Paolis, Leonard Warren, Metropolitan Opera Orchestra, Dimitri Mitropoulos | 4:33 |
| 1956-01-07 | Tosca: Atto I. “Un tal baccan in chiesa!” (Scarpia, il Sagrestano, Spoletta) | Tenor-Gesang [Spoletta] | Fernando Corena, Alessio de Paolis, Leonard Warren, Metropolitan Opera Orchestra, Dimitri Mitropoulos | 3:40 |
| 1956-01-07 | Tosca: Atto II. “Vedi, le man giunte” (Tosca, Scarpia, Spoletta) | Tenor-Gesang [Spoletta] | Alessio de Paolis, Renata Tebaldi, Leonard Warren, Metropolitan Opera Orchestra, Dimitri Mitropoulos | 3:13 |
| 1956-01-07 | Tosca: Atto III. “L'ora! Son pronto” (Carceriere, Cavaradossi, Tosca, Spoletta, Sciarrone e soldati) | Tenor-Gesang [Spoletta] | George Cehanovsky, Calvin Marsh, Metropolitan Opera Chorus, Alessio de Paolis, Renata Tebaldi, Richard Tucker, Metropolitan Opera Orchestra, Dimitri Mitropoulos | 4:32 |
| 1959-07-03 – 1959-07-11 | Turandot: Act II, Scene II. "'Giuzza al pari di fiamma'" | Solo und Tenor-Gesang [Emperor Altoum] | Jussi Björling, Coro del Teatro dell’Opera di Roma, Birgit Nilsson, Alessio de Paolis, Renata Tebaldi, Orchestra del Teatro dell’Opera di Roma, Erich Leinsdorf | 2:11 |
| 1959-07-03 – 1959-07-11 | Turandot: Act II, Scene II. "Figlio del Cielo!" | Solo und Tenor-Gesang [Emperor Altoum] | Jussi Björling, Coro del Teatro dell’Opera di Roma, Birgit Nilsson, Alessio de Paolis, Orchestra del Teatro dell’Opera di Roma, Erich Leinsdorf | 3:11 |
| 1959-07-03 – 1959-07-11 | Turandot: Act II, Scene II. "Tre enigmi m'hai proposto" | Solo und Tenor-Gesang [Emperor Altoum] | Jussi Björling, Alessio de Paolis, Orchestra del Teatro dell’Opera di Roma, Erich Leinsdorf | 1:48 |
| 1959-07-03 – 1959-07-11 | Turandot: Act II, Scene II. "Un giuramento atroce mi costringe" | Solo und Tenor-Gesang [Emperor Altoum] | Jussi Björling, Alessio de Paolis, Orchestra del Teatro dell’Opera di Roma, Erich Leinsdorf | 4:17 |
| 1961-03-04 | Turandot: Atto II, Scena II. "Figlio del cielo!" (Turandot, Altoum, La folla, Calaf) | Tenor-Gesang | Birgit Nilsson, Alessio de Paolis, Franco Corelli | 2:59 |
| 1961-03-04 | Turandot: Atto II, Scena II. "Guizza al pari di flamma" (Turandot, Altoum, La folla, Liù, Calaf, Sapienti) | Tenor-Gesang | Birgit Nilsson, Alessio de Paolis, Anna Moffo, Franco Corelli | 2:08 |
| 1961-03-04 | Turandot: Atto II, Scena II. "Tre enigmi mi hai proposto!" (Calaf, Altoum) | Tenor-Gesang | Franco Corelli, Alessio de Paolis | 1:36 |
| 1961-03-04 | Turandot: Atto II, Scena II. "Un giuramento atroce mi costringe" (Altoum, Calaf) | Tenor-Gesang | Franco Corelli, Alessio de Paolis | 2:56 |
| 1961-03-04 | Turandot: Atto II. “Gelo che ti dà foco!” | Tenor-Gesang [Altoum] | Franco Corelli, Metropolitan Opera Chorus, Birgit Nilsson, Alessio de Paolis, Metropolitan Opera Orchestra, Leopold Stokowski | 5:13 |
| 1961-03-04 | Turandot: Atto II. “No, no Principessa altera!” | Tenor-Gesang [Altoum] | Franco Corelli, Metropolitan Opera Chorus, Alessio de Paolis, Metropolitan Opera Orchestra, Leopold Stokowski | 4:36 |
| 1961-03-04 | Turandot: Atto II. “Straniero, ascolta!” | Tenor-Gesang [Altoum] | Franco Corelli, Metropolitan Opera Chorus, Anna Moffo, Birgit Nilsson, Alessio de Paolis, Metropolitan Opera Orchestra, Leopold Stokowski | 4:33 |
| 1961-03-04 | Turandot: Atto II. “Un giuramento atroce” | Tenor-Gesang [Altoum] | Franco Corelli, Calvin Marsh, Metropolitan Opera Chorus, Alessio de Paolis, Metropolitan Opera Orchestra, Leopold Stokowski | 5:41 |
| 1962 | La Gioconda: Atto I. “La vidi stamane” (Barnaba, La Cieca, Enzo, Gioconda, Laura, Alvise) | Tenor-Gesang [Isèpo] | George Cehanovsky, Franco Corelli, Mignon Dunn, Eileen Farrell, Robert Merrill, Metropolitan Opera Chorus, Alessio de Paolis, Nell Rankin, Giorgio Tozzi, Metropolitan Opera Orchestra, Fausto Cleva | 12:47 |
| La forza del destino: Act II. "Padre Eterno Signor, pietà" | Tenor-Gesang | Lorenzo Alvary, Metropolitan Opera Chorus, Alessio de Paolis, Irra Petina, Stella Roman, Lawrence Tibbett, Metropolitan Opera Orchestra, Bruno Walter | 3:05 |
| La forza del destino: Act II. "Viva la buona compagnia!" | Tenor-Gesang | Lorenzo Alvary, Metropolitan Opera Chorus, Alessio de Paolis, Irra Petina, Lawrence Tibbett, Metropolitan Opera Orchestra, Bruno Walter | 1:55 |
| La forza del destino: Act III. "A buon mercato" | Tenor-Gesang | Metropolitan Opera Chorus, Alessio de Paolis, Metropolitan Opera Orchestra, Bruno Walter | 1:58 |
| Madama Butterfly: Atto I. “… e soffitto e pareti…” | Tenor-Gesang [Goro] | Daniele Barioni, Alessio de Paolis, Metropolitan Opera Orchestra, Dimitri Mitropoulos | 2:15 |
| Madama Butterfly: Atto I. “America for ever” | Tenor-Gesang [Goro] | Daniele Barioni, Clifford Harvout, Alessio de Paolis, Metropolitan Opera Orchestra, Dimitri Mitropoulos | 1:20 |
| Madama Butterfly: Atto I. “Che guardi” | Tenor-Gesang [Goro] | Daniele Barioni, Alessio de Paolis, Metropolitan Opera Orchestra, Dimitri Mitropoulos | 2:36 |
| Madama Butterfly: Atto I. “Cio‐cio San!” | Tenor-Gesang [Goro] | Daniele Barioni, Osie Hawkins, Metropolitan Opera Chorus, Alessio de Paolis, Metropolitan Opera Orchestra, Dimitri Mitropoulos | 2:40 |
| Madama Butterfly: Atto I. “Ecco, son giunte al sommo del pendio” | Tenor-Gesang [Goro] | Kurt Adler, Dorothy Kirsten, Metropolitan Opera Chorus, Alessio de Paolis, Metropolitan Opera Orchestra, Dimitri Mitropoulos | 3:16 |
| Madama Butterfly: Atto I. “L’imperial commissario” | Tenor-Gesang [Goro] | Daniele Barioni, Clifford Harvout, Dorothy Kirsten, Metropolitan Opera Chorus, Alessio de Paolis, Metropolitan Opera Orchestra, Dimitri Mitropoulos | 2:12 |
| Madama Butterfly: Atto I. “Tutti zitti!” | Tenor-Gesang [Goro] | Calvin Marsh, Alessio de Paolis, Metropolitan Opera Orchestra, Dimitri Mitropoulos | 3:35 |
| Madama Butterfly: Atto II. “C’è. Entrate” | Tenor-Gesang [Goro] | Clifford Harvout, Dorothy Kirsten, Mildred Miller, Alessio de Paolis, Metropolitan Opera Orchestra, Dimitri Mitropoulos | 2:12 |
| Tosca: Atto I. "Tre sbirri… Una carrozza…" | Tenor-Gesang [Spoletta] | Alessio de Paolis, Metropolitan Opera Chorus, Leonard Warren, Metropolitan Opera Orchestra, Dimitri Mitropoulos | 4:31 |
| Tosca: Atto I. "Un tal baccano in chiesa" | Tenor-Gesang [Spoletta] | Fernando Corena, Alessio de Paolis, Leonard Warren, Metropolitan Opera Orchestra, Dimitri Mitropoulos | 4:14 |
| Tosca: Atto II. "Sale, ascende l'uman cantico" | Tenor-Gesang [Spoletta] | Alessio de Paolis, Leonard Warren, Dimitri Mitropoulos | 5:42 |
| Turandot: “Ah! Per l’ultima volta!” | Tenor-Gesang | Giuseppe Conca, Jussi Björling, Rome Opera House Chorus, Tommaso Frascati, Leonardo Monreale, Birgit Nilsson, Piero de Palma, Alessio de Paolis, Mario Sereni, Renata Tebaldi, Giorgio Tozzi, Roma Opera House Orchestra, Ugo Catania, Erich Leinsdorf | 2:44 |
| Turandot: “Ah! Tu sei morta” | Tenor-Gesang | Giuseppe Conca, Jussi Björling, Rome Opera House Chorus, Tommaso Frascati, Leonardo Monreale, Birgit Nilsson, Piero de Palma, Alessio de Paolis, Mario Sereni, Renata Tebaldi, Giorgio Tozzi, Roma Opera House Orchestra, Ugo Catania, Erich Leinsdorf | 4:59 |
| Turandot: “Che è mai di me?” | Tenor-Gesang | Giuseppe Conca, Jussi Björling, Rome Opera House Chorus, Tommaso Frascati, Leonardo Monreale, Birgit Nilsson, Piero de Palma, Alessio de Paolis, Mario Sereni, Renata Tebaldi, Giorgio Tozzi, Roma Opera House Orchestra, Ugo Catania, Erich Leinsdorf | 2:38 |
| Turandot: “Chi pose tanta forza nel tuo core?” | Tenor-Gesang | Giuseppe Conca, Jussi Björling, Rome Opera House Chorus, Tommaso Frascati, Leonardo Monreale, Birgit Nilsson, Piero de Palma, Alessio de Paolis, Mario Sereni, Renata Tebaldi, Giorgio Tozzi, Roma Opera House Orchestra, Ugo Catania, Erich Leinsdorf | 3:24 |
| Turandot: “Così comanda Turandot” | Tenor-Gesang | Giuseppe Conca, Jussi Björling, Rome Opera House Chorus, Tommaso Frascati, Leonardo Monreale, Birgit Nilsson, Piero de Palma, Alessio de Paolis, Mario Sereni, Renata Tebaldi, Giorgio Tozzi, Roma Opera House Orchestra, Ugo Catania, Erich Leinsdorf | 3:20 |
| Turandot: “Del primo pianto” | Tenor-Gesang | Giuseppe Conca, Jussi Björling, Rome Opera House Chorus, Tommaso Frascati, Leonardo Monreale, Birgit Nilsson, Piero de Palma, Alessio de Paolis, Mario Sereni, Renata Tebaldi, Giorgio Tozzi, Roma Opera House Orchestra, Ugo Catania, Erich Leinsdorf | 4:57 |
| Turandot: “Diecimila anni” | Tenor-Gesang | Giuseppe Conca, Jussi Björling, Rome Opera House Chorus, Tommaso Frascati, Leonardo Monreale, Birgit Nilsson, Piero de Palma, Alessio de Paolis, Mario Sereni, Renata Tebaldi, Giorgio Tozzi, Roma Opera House Orchestra, Ugo Catania, Erich Leinsdorf | 3:03 |
| Turandot: “Figlio del cielo!” | Tenor-Gesang | Giuseppe Conca, Jussi Björling, Rome Opera House Chorus, Tommaso Frascati, Leonardo Monreale, Birgit Nilsson, Piero de Palma, Alessio de Paolis, Mario Sereni, Renata Tebaldi, Giorgio Tozzi, Roma Opera House Orchestra, Ugo Catania, Erich Leinsdorf | 3:11 |
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| Madama Butterfly | Tenor-Gesang [Goro] | Giacomo Puccini; Dorothy Kirsten, Daniele Barioni, Clifford Harvout, Mildred Miller, Alessio De Paolis, The Metropolitan Opera Orchestra and Chorus, Dimitri Mitropoulos | |
| Turandot | Tenor-Gesang | Giacomo Puccini; Birgit Nilsson, Renata Tebaldi, Jussi Björling, Giorgio Tozzi, Rome Opera Orchestra and Chorus, Erich Leinsdorf | |